Hilla Rebay records
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Hilla Rebay records
Collection Overview
Art museums--United States--New York.
Art patrons--United States.
Art, Abstract.
Bauer, Rudolf, 1889-1953.
Guggenheim, Solomon R., 1861-1949.
Kandinsky, Wasily, 1866-1944.
Museum of Non-Objective Painting.
Solomon R. Guggenheim Foundation.
Wright, Frank Lloyd, 1867-1959.

Historical Note
HR was born Hildegard Anna Augusta Elisabeth Rebay von Ehrenwiesen to Franz Josef Rebay von Ehrenwiesen and Antonie von Eicken on May 31, 1890 in Strasburg, Germany (now Strasbourg, France). She took private art lessons in her youth and attended the Höhere Mädchenschule, where she studied under Professor August Zinkeisen, a member of the Düsseldorf Academy. HR enrolled at the Cologne Kunstgewerbeschule in 1908 but moved to Paris the following year to study at the Académie Julian. In 1910 HR moved back to Germany and held her first exhibition at the Cologne Kunstverein in 1912. Subsequently, HR returned to Paris, and met her mentor, Félix Fénéon, an artistic director of the Galerie Bernheim-Jeune and supporter of Neo-Impressionism. Fénéon introduced HR to private collectors, galleries, and artists' studios. In 1913, HR contributed several works at spring exhibitions of the Munich Secessions and the Salon des Indépendants in Paris. At the end of 1915, while traveling to Zurich, HR met Jean Arp who encouraged HR to embrace the idea of nonobjective painting. Arp also introduced her to the work of Marc Chagall, Vasily Kandinsky (VK), Paul Klee, Franz Marc, and Rudolf Bauer (RB). Thanks to Arp, HR met Herwarth Walden and associated with avant-garde art in Germany through the Galerie Der Sturm in 1916. It was in 1917 at the Galerie Der Sturm that HR met and began a long relationship with RB, who profoundly impacted her art and emotional life. Throughout this period, HR participated in many group and individual exhibitions, and met many artists, including Kurt Schwitters, Viking Eggeling, Max Ernst, Eric Mendelsohn, and Otto Nebel with whom HR and RB later co-founded Die Krater.
HR came to the United States in 1927. After relocating to New York City, HR exhibited collages and drawings first at the Worcester Art Museum in Massachusetts and later at the Galleries of Marie Sterner in New York City. In 1928, HR was commissioned to paint a portrait of Solomon R. Guggenheim (SRG). While working on the portrait, HR introduced SRG to the world of abstraction and encouraged him to begin a collection of nonobjective painting. Throughout 1929 and 1930, SRG collected nonobjective paintings on HR's advice. HR and the Guggenheims first visited VK's studio and purchased his work during their trip to Switzerland in 1929. In addition to VK, HR and the Guggenheims met many nonobjective artists including Chagall, Robert Delaunay, Fernand Léger, Albert Gleizes, and László Moholy-Nagy. At this time, SRG commissioned RB to act as an art dealer on SRG's behalf in order to develop a nonobjective collection of European art for his growing art collection. SRG also provided RB with a subsidy that allowed RB to open his own gallery-museum in Berlin, Das Geistreich ("the realm of the spirit"). As the SRG Collection had grown substantially by the end of 1930, SRG decided to install his collection in his rooms at the Plaza Hotel in 1931. It was in 1931 when HR began to articulate her ideas for a museum which would serve as "a temple to nonobjectivity."
In 1936, the SRG Collection was first shown to the public at the Gibbes Memorial Art Gallery in South Carolina. In addition to exhibiting her own work in this exhibition, HR wrote an introductory essay, "Definition of Non-Objective Painting." On June 25, 1937, SRG established the Solomon R. Guggenheim Foundation (SRGF) for "the promotion and encouragement and education in art and the enlightenment of the public" and named HR as curator. HR became a trustee of the SRGF in 1938. The SRGF purchased a house for HR in Connecticut, which was named Franton Court, in exchange for the donation of her art collection to the SRGF. The SRGF planned to create a museum, and provided money to fund stipends and employment opportunities for American artists in great need.
The SRGF opened the Museum of Non-Objective Painting (MNOP) on June 1, 1939, at 24 East 54th street in New York City. HR was named as the first director of the MNOP. Among the significant exhibitions were a Kandinsky retrospective in 1945 and a László Moholy-Nagy retrospective in 1947. SRG continued to develop his collection based on HR's advice throughout this period. SRG and HR purchased the entire estate of Karl Nierendorf following his death in 1947. This acquisition added over 700 new works for the collection, largely German Expressionist painting. Throughout her tenure at the MNOP, HR advised SRG in developing the SRG Collection; wrote and lectured on nonobjective art; provided scholarships and funds for art supplies to artists; educated the public about the nonobjective art; sponsored many European artists by sending CARE packages during wartime; provided critique and instruction to young artists; and supported American abstract artists.
Out of a desire to find a permanent home for the SRG Collection, in 1943 HR contacted Frank Lloyd Wright (FLW) to design a new museum building. The site for the museum on Fifth Avenue and 89th Street on the Upper East Side of Manhattan was secured in 1944. The construction of the building was completed in 1959. Temporary locations for the MNOP were kept during this period and exhibitions continued to be held.
In the late 1940s, HR actively participated in exhibitions of her own artwork in Europe. HR sent several works to the Paris exhibition, "Deuxième Salon des Réalités Nouvelles," held in 1947. During her visit to Europe in 1948, HR also met gallery owner Otto Stangl and a group of painters called the Gruppe der Gegenstandslosen (Group of the Nonobjectivists) in Munich. They made her an honorary member in 1949. HR later exhibited with them under the name of ZEN 49.
HR resigned as director of the MNOP in 1952, the year when the name of the museum was officially changed to the Solomon R. Guggenheim Museum (SRGM) in honor of its founder. After leaving the museum, HR continued to exhibit her artwork and traveled the world. She continued to support artists interested in nonobjective art, including Georges Vantongerloo, Julius Bissier, Piero Dorazio, Ellsworth Kelly, and Jack Youngerman. HR died of heart and circulatory complications on September 27, 1967. HR was buried with her parents in Teningen, Germany.
Chronology
1890 | Born in Strasburg, Germany (now Strasbourg, France) on May 31 | |
1927 | Came to the United States and met Solomon R. Guggenheim (SRG) | |
1930 | Introduced SRG to Vasily Kandinsky (VK) | |
1936 | Organized the first of three loan exhibitions entitled Solomon R. Guggenheim Collection of Non-Objective Paintings | |
1938 | Named Curator of the Solomon R. Guggenheim Foundation | |
1939 | Appointed Director of the Museum of Non-Objective Painting (MNOP); the MNOP's first exhibition, Art of Tomorrow, opened to the public | |
1943 | Contacted Frank Lloyd Wright to design a new museum building | |
1945 | Organized a major retrospective of VK's oeuvre | |
1947 | Organized a major retrospective of László Moholy-Nagy's oeuvre | |
1952 | Resigned as Director of the MNOP on March 29 and became Director Emeritus | |
1967 | Passed away on September 27 |
Bibliography
Scope and Content Note
The Hilla Rebay records document the activities of Hilla Rebay (HR), first director of the Museum of Non-Objective Painting (MNOP). Topics covered within the collection include the governance of the MNOP; the establishment and operation of the MNOP; the MNOP's support of nonobjective art through scholarships and its promotion of nonobjective film; the activities of Rudolf Bauer; the exhibitions and permanent collection of the MNOP; the activities of HR independent of her work for the MNOP; and the research interests of HR and her staff. Correspondence comprises the majority of this collection. Other record types include articles, essays, and lecture transcriptions; exhibition brochures and checklists; meeting minutes; memoranda and notes; newspaper and magazine clippings; photographs and color reproductions; press releases; record books; reports; and scholarship applications.
Information on the operations of the MNOP can be found in Series 1: Governance and Series 2: Administration. Series 1: Governance covers the stewardship of the MNOP under the SRGF's Board of Trustees, while Series 2: Administration documents HR's vision for the MNOP and her promotion and administrative oversight of it. Information on the development of Solomon R. Guggenheim's (SRG) art collection and the permanent collection of the MNOP can be found in Series 3: Rudolf Bauer and Series 4: Exhibitions and Objects. In addition to documenting Rudolf Bauer's (RB) activities on behalf of the SRGF and his relationship with SRG and HR, Series 3: Rudolf Bauer provides information on RB's own work as an artist and gallerist. Series 4: Exhibitions and Objects provides information on the MNOP's exhibitions, loans, and holdings of individual works of art. Series 5: Personal documents HR's activities and interests independent of the MNOP. HR often intermingled her personal and business activities, however, and as a result, Series 5: Personal contains HR's personal copies of select administration records. Likewise, some of her personal correspondence and financial records can be found in Series 2: Administration. Series 6: Research documents the interests of HR and her staff and consists of artist biographies and subject files of collected materials on a wide range of topics, including artists.
Variations in spelling within this finding aid reflect discrepancies between the spelling used at the time the records were created and the preferred spelling used by the SRGF today.
Digitized highlights can be seen at http://www.guggenheim.org/nhprcfindings.
Series Descriptions
Folder List
Box | Folder | Title | Date | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Board of Trustees | |||||||||||||
Committees | |||||||||||||
Building | |||||||||||||
3000 | 1 | Correspondence: Architectural Forum: Magazine of Building | 1952 | ||||||||||
3000 | 2 | Meeting Minutes (restricted) | 1952 | ||||||||||
Wright, Frank Lloyd | |||||||||||||
3000 | 3a | The American Institute of Architects Citation | 1949 | ||||||||||
3000 | 3b | Brochure: Opening Ceremonies of the Solomon R. Guggenheim Museum | 1959 | ||||||||||
3000 | 4 | Text: Concerning the Solomon R. Guggenheim Memorial Museum | 1952 | ||||||||||
Education | |||||||||||||
3000 | 5 | Activities | 1937 | ||||||||||
3000 | 6 | Scholarship Application and Letter of Appointment | 1938 | ||||||||||
5039 | 1 | Finance (2 folders) (restricted) | 1943-1953 | ||||||||||
3000 | 7-8 | Correspondence: General (2 folders) (1 restricted) | 1937-1943 | ||||||||||
3000, 3001, 3002 | 9-18, 1-13, 1-9 | Day Files (32 folders) (16 restricted) | 1938-1958 | ||||||||||
Finance | |||||||||||||
Guaranty Trust Company of New York | |||||||||||||
3002 | 10 | Guggenheim Nitrate Corporation (restricted) | 1949-1957 | ||||||||||
3002 | 11-12 | Nebel, Otto (2 folders) | 1938-1951 | ||||||||||
3002, 5039 | 13, 2 | Hilla von Rebay Trust (2 folders) | 1943-1953 | ||||||||||
Legal Council | |||||||||||||
3003 | 1 | Law Offices of V. Henry Rothschild, 2nd (restricted) | 1940-1941 | ||||||||||
3003 | 2 | White and Case (restricted) | 1945-1946 | ||||||||||
3003 | 3 | Lists of Officers and Members | 1951, undated | ||||||||||
5039 | 3 | Meeting Agenda (restricted) | 1945 | ||||||||||
3003 | 4-6 | Meeting Minutes (3 folders) (restricted) | 1943-1951 | ||||||||||
Members | |||||||||||||
3003 | 7 | Boothe, Willis H.: Correspondence: Clarence Rothschild | 1941 | ||||||||||
Havemeyer, Henry O.: Correspondence | |||||||||||||
3003 | 8 | Grant, Dwinell | 1941 | ||||||||||
3003 | 9 | Rebay, Hilla | 1942-1951 | ||||||||||
3003 | 10-12 | Levy, Louis: Correspondence: Hilla Rebay (3 folders) (1 restricted) | 1938-1952 | ||||||||||
Newlin, A. Chauncey | |||||||||||||
3003 | 13 | Correspondence: Hilla Rebay | 1944-1950 | ||||||||||
3003 | 14 | Memoranda: General (restricted) | 1943 | ||||||||||
Memoranda | |||||||||||||
3003 | 15 | General | 1951 | ||||||||||
3003 | 16 | For the Historical Record from the Creator of the Foundation's Former Collections | circa 1952 | ||||||||||
3003 | 17 | For the Trustees | 1952 | ||||||||||
3003 | 18 | Notes on the Paintings (restricted) | undated | ||||||||||
Officers | |||||||||||||
Bullis, Ralph | |||||||||||||
3003 | 19 | Correspondence: Hilla Rebay | 1938-1945 | ||||||||||
3003 | 20 | Memoranda: Hilla Rebay | 1941 | ||||||||||
Castle Stewart, Arthur Stuart, Earl: Correspondence | |||||||||||||
3003 | 21 | Cassou, Jean | 1951 | ||||||||||
3003 | 22 | Rebay, Hilla | 1951-1952 | ||||||||||
3003 | 23 | Rossell, Margaret (Secretary to Hilla Rebay) | undated, 1951-1952 | ||||||||||
3003 | 24-26 | Guggenheim, Harry F.: Correspondence: Hilla Rebay (3 folders) | 1941-1952 | ||||||||||
Guggenheim, Solomon R. | |||||||||||||
Correspondence | |||||||||||||
3003 | 27 | General: Congratulatory | 1937 | ||||||||||
3003 | 28 | American Consul Basel Switzerland | 1940 | ||||||||||
3003 | 29 | Barr, Alfred | 1940 | ||||||||||
3003 | 30 | Board of Trustees | 1938 | ||||||||||
3003 | 31 | Burchenal, Elizabeth | 1939 | ||||||||||
3003 | 32 | Carlebach Gallery | 1949 | ||||||||||
3003 | 33 | Delaunay, Robert | 1938 | ||||||||||
3003 | 34 | Delaunay, Robert; Gleizes, Albert; Rambosson, Ivanhoe; Coeffin, Mrs. ?, Delaunay, Sonia; and Richter, Rolf | undated | ||||||||||
3003 | 35 | Edson, Ebie | 1938 | ||||||||||
3003 | 36 | The Educational Alliance | 1939 | ||||||||||
3003 | 37 | Grant, Dwinell | 1942 | ||||||||||
3003 | 38 | Hartmann, Sadakichi | 1937 | ||||||||||
3003 | 39 | Havemeyer, Henry O. | 1945 | ||||||||||
3003 | 40 | Havemeyer, Mary Beard | 1940 | ||||||||||
3003 | 41 | Higgins, William (restricted) | 1939 | ||||||||||
3003 | 42 | Joralemon, Dorothy | 1938 | ||||||||||
3003 | 43 | Kelekian, Dikran | 1938 | ||||||||||
3003 | 44 | Knoller, Jacob | 1944 | ||||||||||
3003 | 45 | Lawson-Johnston, Peter | 1949 | ||||||||||
3003 | 46 | Levy, Louis | 1938 | ||||||||||
3003 | 47 | MacCracken, William P. | 1947 | ||||||||||
3003 | 48 | Maybank, Hon. Burnet R. | 1937 | ||||||||||
3003 | 49 | Mount Holyoke | 1938 | ||||||||||
3003 | 50 | Newlin, A. Chauncey | 1944 | ||||||||||
3004 | 1 | Rambosson, Ivanhoe | 1938-1939 | ||||||||||
3004 | 2-5 | Rebay, Hilla (4 folders) | 1937-1949 | ||||||||||
3004 | 6 | Rebay, Roland | undated | ||||||||||
3004 | 7 | Richter, George | 1942 | ||||||||||
3004 | 8 | Sager, Peter | 1938 | ||||||||||
3004 | 9 | Savannah Evening Press | 1938 | ||||||||||
3004 | 10-11 | Thiele, Albert (2 folders) (1 restricted) | 1939, 1949 | ||||||||||
3004 | 12 | Viele, Chase | 1943 | ||||||||||
3004 | 13 | Westport Bank and Trust Company | 1945 | ||||||||||
3004 | 14 | Wolfe, Alan L. | 1945 | ||||||||||
3004 | 15 | Memoranda: Higgins, William (restricted) | 1937-1939 | ||||||||||
3004 | 16 | Statement of Purpose of Solomon R. Guggenheim Foundation | undated | ||||||||||
Higgins, William: Correspondence | |||||||||||||
3004 | 17 | General: Regarding Friedrich Vordemberge-Gildewart | 1938-1939 | ||||||||||
3004 | 18 | Barr, Alfred | 1940 | ||||||||||
3004 | 19 | Macgowan, Kenneth | 1937 | ||||||||||
3004 | 20 | Mason, H? (restricted) | 1938 | ||||||||||
3004 | 21 | Rebay, Hilla | 1937-1939 | ||||||||||
3004 | 22 | Richards, Mabel H. | 1938 | ||||||||||
Hunt, Clinton | |||||||||||||
Correspondence | |||||||||||||
3004 | 23 | Allied Van Lines | 1949 | ||||||||||
3004 | 24 | Art Institute of Chicago | 1952 | ||||||||||
3004 | 25 | Artists Equity Association (restricted) | 1951 | ||||||||||
3004 | 26 | Board of Trustees | 1951 | ||||||||||
3004 | 27 | Empire Safe Deposit Company | 1950 | ||||||||||
3004 | 28-30 | Rebay, Hilla (3 folders) (1 restricted) | 1945-1953 | ||||||||||
3004 | 31-32 | Rossell, Margaret (2 folders) (1 restricted) | 1952 | ||||||||||
3004 | 33-34 | Slevin, Joseph (2 folders) (1 restricted) | 1946-1947 | ||||||||||
3004 | 35 | Stone, Thomas (restricted) | 1945-1946 | ||||||||||
3004 | 36 | United States Post Office | 1951 | ||||||||||
3004 | 37 | Warner, Helen | 1948 | ||||||||||
Memoranda | |||||||||||||
3004 | 38 | General | 1947-1951 | ||||||||||
3004 | 39 | Bullis, Ralph | 1951 | ||||||||||
3004 | 40 | Collins, Fred | 1951 | ||||||||||
3004 | 41 | Rebay, Hilla | 1951 | ||||||||||
3004 | 42 | Riley, Orin | 1950 | ||||||||||
3004 | 43 | Rossell, Margaret | 1950-1951 | ||||||||||
3004 | 44-45 | Javana, Max William: Correspondence: Hilla Rebay (2 folders) (1 restricted) | 1945-1948 | ||||||||||
Rothschild, Clarence: Correspondence | |||||||||||||
3004, 3005, 5039 | 46-48, 1, 4 | Rebay, Hilla (5 folders) (1 restricted) | 1939-1949 | ||||||||||
3005 | 2 | Waldes, Ica | 1946 | ||||||||||
Thiele, Albert E. | |||||||||||||
Correspondence | |||||||||||||
3005 | 3 | Castle Stewart, Arthur Stuart, Earl | 1952 | ||||||||||
3005 | 4 | Cohen, Walter | 1948 | ||||||||||
3005 | 5 | Guggenheim Nitrate Corporation | 1951 | ||||||||||
3005 | 6 | Healy, Ann | 1946 | ||||||||||
3005 | 7 | Heythum, Antonin | 1942 | ||||||||||
3005 | 8 | Kickinson, Joseph | 1948 | ||||||||||
3005 | 9-13 | Rebay, Hilla (5 folders) (1 restricted) | 1937-1950 | ||||||||||
3005 | 14 | Slevin, Joseph | 1945 | ||||||||||
3005 | 15 | Viele, Chase | 1943 | ||||||||||
3005 | 16 | Warner, Helen | 1946 | ||||||||||
Memoranda | |||||||||||||
3005 | 17 | Morris, Marie | 1946 | ||||||||||
3005 | 18 | Rebay, Hilla | 1946-1949 | ||||||||||
Whelpley, Medley G.: Correspondence | |||||||||||||
3005 | 19 | Rebay, Hilla | 1943 | ||||||||||
3005 | 20 | Rossell, Margaret | 1951 | ||||||||||
3005, 3006, 3007, 5039 | 21-24, 1-10, 1-2, 5 | Reports: Activities of the Museum of Non-Objective Painting (17 folders) | 1948-1952 | ||||||||||
3007 | 3 | By-Laws and Charter of Solomon R. Guggenheim Foundation | 1937 | ||||||||||
3007 | 4 | Customs and Tax Exceptions | 1938 |
Box | Folder | Title | Date | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
3007, 3008, 5039 | 5-10, 1-10, 6 | Appreciation Letters (17 folders) | 1936-1952 | ||||||||||
3008, 3009 | 11-16, 1-13 | Artist Criticisms (19 folders) | 1940-1952 | ||||||||||
3009 | 14-19 | Attendance and Sales Reports (6 folders) | 1939-1942, 1945, 1947-1949, 1951-1952 | ||||||||||
Background Information on Museum | |||||||||||||
3009 | 20 | Data about the Museum of Non-Objective Painting and the Solomon R. Guggenheim | undated | ||||||||||
5039 | 7 | History of the Museum of Non-Objective Painting | undated, 1948, 1951 | ||||||||||
3009, 3010 | 21-23, 1-2 | Bonwitt-Teller Window Displays: Photographs (5 folders) | 1947 | ||||||||||
Buildings | |||||||||||||
1 East 88th Street | |||||||||||||
3010 | 3 | Alterations, Furnishings, and Maintenance | 1951 | ||||||||||
3010 | 4 | Finance | 1951 | ||||||||||
3010 | 5 | Photographs | 1951-1952 | ||||||||||
24 East 54th Street | |||||||||||||
3010 | 6 | Architectural Drawings | 1939 | ||||||||||
3010 | 7 | Hours | 1939 | ||||||||||
3010 | 8 | Newspaper and Magazine Clippings | 1939 | ||||||||||
Photographs | |||||||||||||
3010 | 9 | Façade | circa 1939 | ||||||||||
3010 | 10 | Fashion Shoot | circa 1939 | ||||||||||
3010 | 11 | Preparators Building Frames | circa 1939 | ||||||||||
3010 | 12 | Preparators Framing Hilla Rebay's Contrast no. 1 (1943-45) | circa 1945 | ||||||||||
3010 | 13 | Preparators Moving Artwork | circa 1939 | ||||||||||
3010 | 14 | Staff Photographing Artwork | circa 1939 | ||||||||||
3010 | 15 | Postcards | undated | ||||||||||
3010 | 16 | Signs | 1939-1943 | ||||||||||
1071 Fifth Avenue Townhouse | |||||||||||||
3010 | 17-18 | Alterations: William Muschenheim (2 folders) | 1944, 1947-1948 | ||||||||||
3010 | 19 | Block Diagram | 1944 | ||||||||||
3010 | 20-21 | Furnishings and Maintenance (2 folders) (1 restricted) | 1945-1948 | ||||||||||
3010 | 22 | Improvement of Vacant Lot | 1951 | ||||||||||
3010, 3128, 5039 | 23, 1, 8 | Legal (3 folders) | 1944-1947 | ||||||||||
Opening | |||||||||||||
3010 | 24 | Announcement | undated 1947 | ||||||||||
3010 | 25 | Invite List | 1947 | ||||||||||
Photographs | |||||||||||||
3010 | 26 | Façade | undated | ||||||||||
3010 | 27 | Interior | undated | ||||||||||
3087 | 1-7 | Museum Tour (7 folders) | 1948 | ||||||||||
3010 | 28 | North Property | 1951 | ||||||||||
3010 | 29 | Renovation | 1952 | ||||||||||
3010 | 30 | Relocation | 1947 | ||||||||||
Carnegie Hall | |||||||||||||
3010 | 31 | Correspondence: Kurt Martin | undated | ||||||||||
3010 | 32 | Finance | 1942 | ||||||||||
3010 | 33 | Furnishings and Maintenance | 1943-1950 | ||||||||||
3010 | 34 | Lease | 1945, 1950 | ||||||||||
Frank Lloyd Wright Building | |||||||||||||
3011 | 1 | Bibliography: Frank Lloyd Wright | undated | ||||||||||
Correspondence | |||||||||||||
3011 | 2 | General | 1944-1945 | ||||||||||
3011 | 3-4 | Wright, Frank Lloyd (2 folders) | 1943-1952 | ||||||||||
3011 | 5-6 | Newspaper and Magazine Clippings | 1945-1953, undated | ||||||||||
Notes and Sketches | |||||||||||||
3011 | 7 | Rebay, Hilla | undated | ||||||||||
3011 | 8 | Wright, Frank Lloyd | undated | ||||||||||
Photographs | |||||||||||||
3011 | 9 | Architectural Drawing | undated | ||||||||||
3011, 3127 | 10, 1-3 | Building Model (4 folders) | 1945 | ||||||||||
3011 | 11 | Press Luncheon at the Plaza Hotel | circa 1945 | ||||||||||
3011 | 12 | Reproduction Requests | 1952 | ||||||||||
3011, 5039 | 13-14, 9 | Press Releases (3 folders) | undated | ||||||||||
Statements to the Press | |||||||||||||
3011 | 15 | Guggenheim, Solomon R. | 1944-1945 | ||||||||||
3011 | 16 | Rebay, Hilla | 1951 | ||||||||||
3011 | 17 | Wright, Frank Lloyd | undated | ||||||||||
Plaza Hotel Apartment | |||||||||||||
3011 | 18 | Appraisal Inventory of Residential Furnishings | 1936 | ||||||||||
3011 | 19-30 | Artists' Tea (12 folders) | 1939-1942 | ||||||||||
3011 | 31 | Lecture: Rebay, Hilla: Progress of Painting | undated | ||||||||||
3011 | 32 | Luncheon | 1949 | ||||||||||
3011 | 33 | Newspaper and Magazine Clippings | 1951 | ||||||||||
3011 | 34 | Photographs | undated | ||||||||||
Showings | |||||||||||||
3011 | 35 | Invitation Letters | 1938-1940, 1946 | ||||||||||
3011 | 36 | Invite List | 1939-1942 | ||||||||||
3011 | 37 | Report of Plaza Showings | 1941 | ||||||||||
3012 | 1 | Requests to See Artwork | 1937-1948 | ||||||||||
3012, 5039 | 2, 10 | Real Estate Offers (2 folders) | 1941-1943 | ||||||||||
Trillora Court at Sands Point, Long Island (Solomon R. and Irene Guggenheim's Home) | |||||||||||||
3012 | 3 | Map | undated | ||||||||||
3012 | 4 | Photograph | 1940 | ||||||||||
Renovation | |||||||||||||
5039 | 11 | Bedroom Floor Plan: Sketch | circa 1940 | ||||||||||
3012 | 5 | Correspondence | 1940 | ||||||||||
3012 | 6 | Estimates and Receipts | 1940-1942 | ||||||||||
3012 | 7 | Furnishings: Material Swatches | 1940 | ||||||||||
3012 | 8 | Illustrated Drawing | circa 1940 | ||||||||||
3012 | 9 | Memoranda | 1940 | ||||||||||
3012 | 10-11 | Businesses Offering Products and Services (2 folders) | 1937-1941 | ||||||||||
3012, 5039 | 12, 12 | Christmas Cards (2 folders) | 1940-1951 | ||||||||||
Correspondence | |||||||||||||
A | |||||||||||||
3013, 5040 | 1-10, 1 | General (11 folders) (1 restricted) | undated, 1939-1952 | ||||||||||
3013 | 11 | Adams, Judge | circa 1942 | ||||||||||
3013 | 12 | Addison Gallery of American Art | 1941 | ||||||||||
3013 | 13 | Adler, Rose | 1938 | ||||||||||
3013 | 14 | Agencia Literaria-Traducciones Espanolas-Americanas | 1943 | ||||||||||
3013 | 15 | Aharon, Gregor | 1941 | ||||||||||
3013 | 16-17 | Albers, Josef (2 folders) (1 restricted) | 1951-1952 | ||||||||||
3013 | 18 | Albright-Knox Art Gallery | 1935 | ||||||||||
3013 | 19 | Allen, Georgiana | 1940-1941 | ||||||||||
3013 | 20 | Allisat, Herbert, Dr. | 1939-1941 | ||||||||||
3013 | 21 | Allman, Henry | 1938 | ||||||||||
3013 | 22 | American Art for American Homes Week | 1940-1941 | ||||||||||
3013 | 23 | American Association of Museums | 1945-1946, 1951 | ||||||||||
3013 | 24 | American Express Company | 1947, 1950-1951 | ||||||||||
3013 | 25 | American Federation of the Arts | 1938-1942 | ||||||||||
3013 | 26 | American Forestry Association | 1943 | ||||||||||
3013 | 27 | American Library of Color Slides | 1941 | ||||||||||
3013 | 28 | American Mission to Lepers | 1943 | ||||||||||
3013 | 29 | American Railway Express Company | 1943 | ||||||||||
3013 | 30 | American Society for Aesthetics | 1942 | ||||||||||
3013 | 31 | Antorini, Lucille | 1940-1941 | ||||||||||
3013 | 32 | Aram, Dr.? | 1942 | ||||||||||
3013 | 33 | Armitage, Merle | 1937 | ||||||||||
3013 | 34 | Art Appreciation Movement | 1942 | ||||||||||
3013 | 35-36 | Art Institute of Chicago (2 folders) (1 restricted) | 1939-1949 | ||||||||||
3014 | 1-3 | Art Institutes, Galleries, and Museums (3 folders) (1 restricted) | 1943-1952 | ||||||||||
3014 | 4 | Artists Equity Association | 1950-1952 | ||||||||||
3014 | 5 | Artists Union of America | 1937 | ||||||||||
3014 | 6 | Arts Club of Chicago | 1935-1936 | ||||||||||
3014 | 7 | Arts Club of Washington | undated | ||||||||||
3014 | 8 | Ashmore, Jerome | 1951 | ||||||||||
3014 | 9 | Askew, R. Kirk | 1944 | ||||||||||
3014 | 10 | AUFBAU | 1941-1942 | ||||||||||
3014 | 11 | Augusta Arts Club | 1947 | ||||||||||
B | |||||||||||||
3014, 3015, 5040 | 12-16, 1-9, 2 | General (15 folders) (1 restricted) | 1938-1949 | ||||||||||
3015 | 10-11 | Backer, Frank (2 folders) (1 restricted) | 1947 | ||||||||||
3015 | 12 | Baldwin, Raymond E. | 1944 | ||||||||||
3015 | 13 | Baltimore Museum of Art (restricted) | 1948 | ||||||||||
3015 | 14 | Barnes, Ryllis | 1939-1942 | ||||||||||
3015 | 15 | Barnhart, Edward | 1940 | ||||||||||
3015 | 16 | Barnstone, Howard | 1944 | ||||||||||
3015 | 17 | Barr, Alfred | 1943-1949 | ||||||||||
3015 | 18 | Barrows, Charles | 1947 | ||||||||||
3016 | 1 | Beaudoin, Kenneth Lawrence | 1943-1944 | ||||||||||
3016 | 2 | Beck Engraving Company | 1938-1940 | ||||||||||
3016, 5040 | 3, 3 | Beckmann, Hannes (2 folders) | 1946-1951 | ||||||||||
3016 | 4 | Beckmann, Mrs. M. W. | 1949 | ||||||||||
3016 | 5 | Belson, Jordan | 1947 | ||||||||||
3016 | 6 | Benno, B. G. | 1940-1942 | ||||||||||
3016 | 7 | Berg, Boris and Sonia, Count and Countess | 1943-1947 | ||||||||||
3016 | 8-9 | Berger, Robert (2 folders) | 1949-1952 | ||||||||||
3016 | 10 | Berry, Unknown | 1943 | ||||||||||
3016 | 11 | Bethers, Ray | 1947 | ||||||||||
3016 | 12 | Biel, Eugene V. and Mary | 1942-1950 | ||||||||||
3016 | 13 | Bignou Gallery | 1939-1940 | ||||||||||
3016 | 14 | Bill, Max | 1946-1951 | ||||||||||
3016 | 15 | Binet, George | 1942 | ||||||||||
3016 | 16 | Bissier, Julius | 1948?-1951 | ||||||||||
3016 | 17 | Blake, Edwin M. | 1944-1946 | ||||||||||
3016 | 18 | Blanshard, Frances | 1948-1949 | ||||||||||
3016 | 19 | Blaue?, A. | 1950 | ||||||||||
3016 | 20 | Bloomfield, Zelda | 1944 | ||||||||||
3016 | 21 | Bok, Hannes | 1942 | ||||||||||
3016 | 22 | Bolander, Karl | 1937-1938 | ||||||||||
3016 | 23 | Bolotowsky, Ilya | 1941-1942, 1952 | ||||||||||
3016 | 24 | Bolton, Dorothy | 1940 | ||||||||||
3016 | 25 | Borden, Thelma | 1940-1941 | ||||||||||
3016 | 26 | Bowell, Peyton Jr. | 1948 | ||||||||||
3016 | 27 | Bozyan, Edith | 1938 | ||||||||||
3016 | 28 | Bradford Press | 1936-1941 | ||||||||||
3016 | 29 | Bragdon, Claude | 1941-1942 | ||||||||||
3016 | 30 | Braxton Art Company | 1941-1942 | ||||||||||
3016 | 31 | Brewer, Floyd E. | 1940-1942 | ||||||||||
3016 | 32 | Brightside Day Nursery and Kindergarten | 1940 | ||||||||||
3016 | 33 | Brooklyn Orchestral Society | 1947 | ||||||||||
3016 | 34 | Brooks, B.V. | 1944 | ||||||||||
3016 | 35 | Brown, Charles | 1942 | ||||||||||
3016 | 36 | Buchholz Gallery | 1940-1949 | ||||||||||
5040 | 4 | Budnick, Sidney | 1943-1944 | ||||||||||
3016 | 37 | Bureau of Customs | 1939 | ||||||||||
3016 | 38 | Burroughs Welcome & Co. | 1947 | ||||||||||
3016 | 39 | Burrow, Mrs. | 1944 | ||||||||||
3016 | 40 | Busa, Peter | 1943 | ||||||||||
C | |||||||||||||
3017 | 1-7 | General (7 folders) | 1937-1952 | ||||||||||
3017 | 8 | Cablegrams | 1950-1952 | ||||||||||
3017 | 9 | Calder, Alexander | 1945 | ||||||||||
3017 | 10 | Carmichael, Gregory | 1945 | ||||||||||
3017 | 11 | Carnegie Hall | 1939, 1942 | ||||||||||
3017 | 12 | Carré, Louis | 1937-1947 | ||||||||||
3017 | 13 | Carter, Helen | 1944 | ||||||||||
3017 | 14 | Cash, Sherman A. | 1939-1940 | ||||||||||
3017 | 15 | Cassou, Jean | 1951-1952 | ||||||||||
3017 | 16 | Catholic University of America | 1941 | ||||||||||
3017 | 17 | Central Bureau for Registered Addresses | 1939, 1948-1950 | ||||||||||
3017 | 18 | Centurion, Penrod | 1939-1943 | ||||||||||
3017 | 19 | Change of Address | 1952 | ||||||||||
3017 | 20 | Chapellier, George | 1943 | ||||||||||
3017 | 21 | Chase, Virgil | 1944 | ||||||||||
3017 | 22 | Cheltenham Township Art Center | 1942 | ||||||||||
3017 | 23 | Cheney, Rowena | 1946 | ||||||||||
3017 | 24 | Cheney, Sheldon | 1941-1944 | ||||||||||
3017 | 25 | Chicago Historical Society | 1944 | ||||||||||
3017 | 26 | Cholley, Marie | 1937-1946 | ||||||||||
3017 | 27 | Cimino, Basil | 1938-1939 | ||||||||||
3017 | 28 | Citizens Committee for the Army and Navy | 1942 | ||||||||||
3017 | 29 | City of New York Department of Housing and Building | 1945 | ||||||||||
3017 | 30 | Clausen, Svend | 1944-1950 | ||||||||||
3017 | 31 | Cleveland, F. W. | 1939 | ||||||||||
3017 | 32 | Cleveland Museum of Art | 1945-1949 | ||||||||||
3018 | 1 | Cleveland, Stephen | 1945-1948 | ||||||||||
3018 | 2 | Clipping Services | 1937-1946 | ||||||||||
3018 | 3 | Clough, Stanley T. | 1943 | ||||||||||
3018 | 4 | Coble, Gilbert | 1945 | ||||||||||
3018 | 5 | Cohen, Richard P. | 1952 | ||||||||||
3018 | 6 | Cohen, Walter | 1948, 1951 | ||||||||||
3018 | 7 | College Art Association | 1938-1951 | ||||||||||
3018 | 8 | Columbia Broadcast System | 1944 | ||||||||||
3018 | 9 | Colvin, Blanche and Loula | 1943 | ||||||||||
3018 | 10 | Comer, Sarah Ryel | 1943 | ||||||||||
3018 | 11 | Congress of the United States | 1949 | ||||||||||
3018 | 12 | Cook, Walter W.S. | 1937-1940 | ||||||||||
3018 | 13 | Corazzo, Alexander | 1941 | ||||||||||
3018 | 14 | Cornell, Joseph | 1937 | ||||||||||
3018 | 15 | Cornyetz, Paul | 1942 | ||||||||||
3018 | 16 | Cortissoz, Royal | 1943-1945 | ||||||||||
3018 | 17-18 | Corwin, Tom (2 folders) (1 restricted) | 1941 | ||||||||||
3018 | 19 | Cox, Theodosia | 1944 | ||||||||||
3018 | 20 | Cranbrook Academy of Art | 1946 | ||||||||||
3018 | 21 | Crosby, Amy L. | 1948 | ||||||||||
3018 | 22-23 | Crosby, Roy Corwin (2 folders) (1 restricted) | 1942-1944 | ||||||||||
3018 | 24 | Crosley, Stewart | undated | ||||||||||
3018 | 25 | Crown Publishing | 1942 | ||||||||||
3018 | 26 | Customs | 1939-1941 | ||||||||||
D | |||||||||||||
3018 | 27-33 | General (7 folders) (1 restricted) | 1938-1952 | ||||||||||
3018 | 34 | Danneman, Mrs. William | 1944 | ||||||||||
3018 | 35 | Davis Delaney Inc. Printers | 1945-1948 | ||||||||||
3018 | 36 | Davis, James Edward | 1947-1948 | ||||||||||
3018 | 37 | Davringhausen, Henri | 1952 | ||||||||||
3018 | 38-39 | Dayton Art Institute (2 folders) (1 restricted) | 1940 | ||||||||||
3018 | 40 | DeGrazia, Fred | 1943-1944 | ||||||||||
3018 | 41 | de Kruif, Paul | 1940 | ||||||||||
3018 | 42 | de Laban, Juana | 1941 | ||||||||||
3018 | 43 | de la Droitiere, Marguerite | 1944 | ||||||||||
3018 | 44 | Delafield, John | 1939-1940 | ||||||||||
3018 | 45 | Delaney, Beauford | 1942 | ||||||||||
3018 | 46 | Delej, Janos | 1940 | ||||||||||
3018 | 47 | Delvante, S. | 1943 | ||||||||||
3018 | 48 | De Niro, Robert | 1940-1946 | ||||||||||
3019 | 1 | Department of Justice: United States Attorney | 1944 | ||||||||||
3019 | 2 | der Hohannessian, Garabed | 1941-1942 | ||||||||||
3019 | 3 | Derwood, Gene | 1941 | ||||||||||
3019 | 4 | Design Creative Arts | 1939-1940 | ||||||||||
3019 | 5 | Detmond, Grand Duchess | 1947 | ||||||||||
3019 | 6 | Devree, Howard | 1945 | ||||||||||
3019 | 7 | Dewey, Mrs. Lloyd | 1944 | ||||||||||
3019 | 8 | Dieterle, Charlotte | 1945 | ||||||||||
3019 | 9 | Diller, Burgoyne | 1939-1940 | ||||||||||
3019 | 10 | Di Pace, Donato | 1940 | ||||||||||
3019 | 11 | Dingle, Edwin | 1942-1943 | ||||||||||
3019 | 12 | Disney, Walt | 1956 | ||||||||||
3019 | 13 | Dockum, Myrtle S. | 1942 | ||||||||||
3019 | 14 | Donovetsky, Ivan | 1940 | ||||||||||
3019 | 15 | Dows, Olin | 1941 | ||||||||||
3019 | 16-17 | Dreier, Katherine (2 folders) (1 restricted) | 1944-1946 | ||||||||||
3019 | 18 | Drewes, Werner | 1939-1946 | ||||||||||
3019 | 19 | Drouin, Rene | 1948 | ||||||||||
3019 | 20 | Dyer, Carlos | 1939-1940 | ||||||||||
E | |||||||||||||
3019, 5040 | 21-26, 5 | General (7 folders) | 1938-1952 | ||||||||||
3019 | 27 | Eastern Art Association | 1944 | ||||||||||
3019 | 28 | Eastman Kodak Company | 1939-1951 | ||||||||||
3019 | 29 | Ediphone | 1941 | ||||||||||
3019 | 30 | Educational Alliance | 1943 | ||||||||||
3019 | 31 | Edwards, Emmet | 1940-1947 | ||||||||||
3019 | 32 | Egeressy, Olga | 1942 | ||||||||||
3019 | 33 | Eicken, Hans von | 1948 | ||||||||||
3019 | 34 | Eicken, Karl von | 1946-1948 | ||||||||||
3019 | 35 | Eldred, Thomas | 1940-1943 | ||||||||||
3019 | 36 | Emtage, G. Dalby | 1943 | ||||||||||
3128 | 2 | Engel-Pak, Ernest | 1947 | ||||||||||
3019 | 37 | Engel, Peter | 1951 | ||||||||||
3019 | 38 | Essman, Manuel | 1938-1946 | ||||||||||
3019 | 39 | Express Forwarding and Storage | 1949 | ||||||||||
3019 | 40 | Extension of Alien Bond: Vera Keenan | 1940-1942 | ||||||||||
F | |||||||||||||
3019, 3020 | 41-44, 1-6 | General (10 folders) (1 restricted) | undated, 1937-1952 | ||||||||||
5040 | 6 | Faisant, Ernest | 1939-1940 | ||||||||||
3020 | 7 | Fallot, Ruth | 1943 | ||||||||||
3020 | 8 | Father Flanagan's Boys Home | 1946 | ||||||||||
3020 | 9 | Feininger, Lyonel | 1942 | ||||||||||
3020 | 10 | Fénéon, Félix | 1936-1937, 1945 | ||||||||||
3020 | 11 | Fenn, Charles | 1940-1941 | ||||||||||
3020 | 12-13 | Feragil Galleries (2 folders) (1 restricted) | 1938 | ||||||||||
3020 | 14 | Ferren, John | undated | ||||||||||
3020 | 15 | Fine, Perle | 1946 | ||||||||||
3020 | 16 | Firma Svenskt Glass | undated | ||||||||||
3020 | 17 | Fisher, Reginald | 1940 | ||||||||||
3020 | 18 | Fortune Magazine | 1939, 1941 | ||||||||||
3020 | 19 | Four Arts Aid Society | 1943 | ||||||||||
3020 | 20 | Fowler, Thomas Coolidge | 1944 | ||||||||||
3020 | 21 | Frankenstein, Sam | 1948 | ||||||||||
3020 | 22 | Frankfurter, Alfred | 1947 | ||||||||||
3020 | 23-24 | Franklin, George (2 folders) (1 restricted) | 1937-1940 | ||||||||||
3020 | 25 | Funk and Wagnall's New Standard Encyclopedia | 1944 | ||||||||||
G | |||||||||||||
3020, 5040 | 26-36, 7 | General (12 folders) (1 restricted) | undated, 1949-1952 | ||||||||||
3021 | 1 | Galeria de Arte | 1941 | ||||||||||
3021 | 2-3 | Galerie Charpentier (2 folders) (1 restricted) | 1939-1940 | ||||||||||
3021 | 4 | Galerie Jeanne Bucher | 1939 | ||||||||||
3021 | 5 | The Gallery Press | 1945-1949 | ||||||||||
3021 | 6 | Gallwitz, Exchen von | 1947-1948 | ||||||||||
3021 | 7 | Garman, Ed | 1942 | ||||||||||
3021 | 8 | Gary, Ruth R. | undated | ||||||||||
3021 | 9-10 | Geiger, Rupprecht (2 folders) (1 restricted) | 1950 | ||||||||||
3021 | 11 | Geiges, Maja | 1946 | ||||||||||
3021 | 12 | George, George L. | 1944-1946 | ||||||||||
3021 | 13 | Geyso, Marie-Adelheid von | 1948 | ||||||||||
3021 | 14 | Gibbs, Sir Philip | 1946-1947 | ||||||||||
3021 | 15 | Gimpel, Peter | 1948 | ||||||||||
3021 | 16 | Gimpel, René | undated | ||||||||||
3021 | 17 | Gisela ?, Demi | 1953 | ||||||||||
3021 | 18 | Glarner, Fritz | 1947 | ||||||||||
3021 | 19 | Global Furniture Sevice | 1946 | ||||||||||
3021 | 20 | Goldblatt, Maurice | 1949 | ||||||||||
3021 | 21 | Gordon, Daniel | 1945 | ||||||||||
3021 | 22 | Government Printing Office | 1944 | ||||||||||
3021 | 23 | Grafley, Dorothy | 1939-1942 | ||||||||||
3021 | 24 | Grain, Mark | 1947-1949 | ||||||||||
3021 | 25 | Graves, Maitland | undated, 1950 | ||||||||||
3021 | 26 | Greenwich Mattress Company | 1939-1940 | ||||||||||
3021 | 27 | Greiff, Buta | 1946 | ||||||||||
3021, 5040 | 28, 8 | Grohman, Will (2 folders) | undated, 1947 | ||||||||||
3021 | 29 | Grossman, Noah | 1940-1944 | ||||||||||
3021 | 30 | Group Tours | 1947 | ||||||||||
3021 | 31 | Guggenheim, Edmund | 1943-1944 | ||||||||||
3021 | 32 | Guggenheim, Irene | undated | ||||||||||
3021 | 33 | Guggenheim, Meyer Robert | 1949 | ||||||||||
3021 | 34 | Guggenheim, Peggy (restricted) | 1942 | ||||||||||
3021 | 35 | Guggenheim, Simon | 1939 | ||||||||||
3021 | 36 | Gurlitt, Hildebrand | 1946-1948 | ||||||||||
H | |||||||||||||
3021, 5040 | 37-46, 9 | General (11 folders) (1 restricted) | undated, 1938-1952 | ||||||||||
3021 | 47 | Hachmuth, Henry | 1943 | ||||||||||
3021 | 48 | Hahn Brothers (restricted) | 1938-1948 | ||||||||||
3021 | 49 | Halle, Fannina | 1945-1946 | ||||||||||
3021 | 50 | Halpert, Edith | 1942 | ||||||||||
3021 | 51 | Halsey, W.F. | 1942 | ||||||||||
3021 | 52 | Halvorsen, Ruth | 1940 | ||||||||||
3021 | 53 | Hamilton, Carl | 1941-1947 | ||||||||||
3021 | 54 | Hamlin, Chauncey | 1947 | ||||||||||
3022 | 1 | Hammer Galleries | 1941 | ||||||||||
3022 | 2 | Hankinson, Bessie | 1942 | ||||||||||
3022 | 3 | Hanush, Hubert | 1940-1941 | ||||||||||
3022 | 4 | Harding, Walter | 1943 | ||||||||||
3022 | 5 | Harms, Ernest, Dr. | 1940-1941 | ||||||||||
3022 | 6 | Harrington, B. | 1947 | ||||||||||
3022 | 7 | Harris, Calvin | 1942-1943 | ||||||||||
3022 | 8 | Harris, Dan | 1940-1941 | ||||||||||
3022 | 9 | Harrison-Irvine, Jessamine | 1943-1944 | ||||||||||
3022 | 10 | Harrison, Wallace K. | 1938 | ||||||||||
3022 | 11 | Hathaway, G.A. | 1943 | ||||||||||
3022 | 12 | Hathaway, George | 1942 | ||||||||||
3022 | 13 | Hausmann, Raoul | 1948 | ||||||||||
3022 | 14 | Havemeyer, Mary Beard | 1941 | ||||||||||
3022 | 15 | Heard, Ida Mae | 1946 | ||||||||||
3022 | 16 | Hearst, Randolph | 1947 | ||||||||||
3022 | 17 | Heilman, Horace | 1947 | ||||||||||
3022 | 18 | Heitmanek, George | 1945 | ||||||||||
3022 | 19 | Herbert, Gordon | 1941 | ||||||||||
3022 | 20 | Herbert-Coeffin, Josette | 1937-1939 | ||||||||||
3022 | 21 | Herlichy, James | 1940 | ||||||||||
3022 | 22 | Herman, James | 1943 | ||||||||||
3022 | 23 | Herman, Simone | undated | ||||||||||
3022 | 24 | Hertzberg, Katherine | 1945 | ||||||||||
3022 | 25 | Herwarth, Baron | 1946 | ||||||||||
3022 | 26 | Higgins, John Woodman | 1944-1947 | ||||||||||
3022 | 27 | Hiler, Hilaire | 1943 | ||||||||||
3022 | 28 | Hobart, Mrs. Garret A. | 1942 | ||||||||||
3022 | 29 | Hogan, John | 1944 | ||||||||||
3022 | 30-31 | Hohenberg, Marguerite (2 folders) (1 restricted) | 1940-1947 | ||||||||||
3022 | 32 | Holtzman, Harry | 1945 | ||||||||||
3022 | 33 | Hospitals Receiving Reproductions from the Museum of Non-Objective Painting | 1943-1946 | ||||||||||
3022 | 34 | House of the Good Shepard | 1943-1944 | ||||||||||
3022 | 35 | Hübner, Gisela | 1946-1947 | ||||||||||
3022 | 36 | Hudson Forwarding and Shipping Co. | 1938 | ||||||||||
3022 | 37 | Hurst, Fletcher | 1946 | ||||||||||
3022 | 38 | Hyperion Press | 1941 | ||||||||||
pppp | I | ||||||||||||
3022 | 39-41 | General (3 folders) | 1945-1952 | ||||||||||
3022 | 42 | Ileig, Barbara | 1942 | ||||||||||
3022 | 43 | Institute of Contemporary Art, Boston (restricted) | 1948 | ||||||||||
3022 | 44 | Institute of International Education | 1944 | ||||||||||
3022, 5040 | 45, 10 | Institute of Mental Physics | 1942-1945 | ||||||||||
3022 | 46 | Institute of Modern Art | 1940-1941 | ||||||||||
3022 | 47 | Inter-American Bureau | 1941-1942 | ||||||||||
3022 | 48 | International Council of Museums | 1950, 1953 | ||||||||||
3022 | 49 | Invitations | 1939-1944 | ||||||||||
3022 | 50 | Italpress | 1950 | ||||||||||
J | |||||||||||||
3022 | 51-59 | General (9 folders) (1 restricted) | 1938-1951 | ||||||||||
3022 | 60 | Jacques Seligmann & Co., Inc. | 1946 | ||||||||||
3022 | 61 | James, George S. | 1952 | ||||||||||
3022 | 62 | James, Lesley | 1947 | ||||||||||
3022 | 63 | Jamison, Jeannette | 1944 | ||||||||||
3022 | 64 | J. B. Lippincott Company | 1941-1942 | ||||||||||
3023 | 1 | Jewell, Edward Alden | 1939-1944 | ||||||||||
3023 | 2 | John Simon Guggenheim Memorial Foundation | 1938-1951 | ||||||||||
3023 | 3 | Johnson, D. Rhodes | 1939-1941 | ||||||||||
5040 | 11 | Julius Lowy, Inc. | 1938-1939 | ||||||||||
K | |||||||||||||
3023 | 4-15 | General (12 folders) (1 restricted) | undated, 1939-1952 | ||||||||||
3023 | 16 | Kamrowski, Gerome | 1938-1945 | ||||||||||
3023 | 17 | Kasak, Nikelaj | 1952 | ||||||||||
3023 | 18 | Katchoubey, Princess Olga | 1943-1948 | ||||||||||
3023 | 19 | Kelly, Ellsworth | 1952 | ||||||||||
3023 | 20 | Kenneth H. Ripnen Company | 1947 | ||||||||||
3024 | 1 | Kepes, György | 1951 | ||||||||||
3024 | 2 | Kerns, Maude | 1941-1945 | ||||||||||
3024 | 3 | Kimball, Fiske | 1945 | ||||||||||
3024 | 4 | Kirby, Gustavus T. | 1945 | ||||||||||
3024 | 5 | Klee, Paul | 1939-1941 | ||||||||||
3024 | 6 | Klein, Erich | 1948 | ||||||||||
3024 | 7 | Klinge, Ilse | 1947 | ||||||||||
3024 | 8 | Konnerth, Lotte | 1948 | ||||||||||
3024 | 9 | Koppelman, Hi | 1943-1944 | ||||||||||
3024 | 10 | Körner, Mary | 1946-1948 | ||||||||||
3024 | 11 | Kraus, H. Felix | 1941-1942 | ||||||||||
3024 | 12 | Kuyper, George A. | 1943 | ||||||||||
L | |||||||||||||
3024, 5040 | 13-24, 12 | General (13 folders) (2 restricted) | 1927-1952 | ||||||||||
3024 | 25 | La Guardia, Fiorello H. | 1942 | ||||||||||
3024 | 26 | Lake, Mary | 1945 | ||||||||||
3024 | 27 | Lambert, Grace Y. | 1942 | ||||||||||
3024 | 28 | Landon, Edward | 1940-1942 | ||||||||||
3024 | 29 | Lansford, Alonzo (restricted) | 1942 | ||||||||||
5040 | 13 | Laporte, Paul M. | 1942 | ||||||||||
3024 | 30 | Larkin, Adrian | 1942 | ||||||||||
3024, 5040 | 31, 14 | Lassaw, Ibram (2 folders) | undated, 1941-1948 | ||||||||||
3024 | 32 | László, Alexander | 1939 | ||||||||||
3024 | 33 | Le Corbusier | 1939 | ||||||||||
3024 | 34 | Leonhard, Kurt | 1949 | ||||||||||
3024 | 35 | Lévi-Strauss, Claude | 1947 | ||||||||||
3024 | 36 | Lewis, Louise (restricted) | 1942 | ||||||||||
3024 | 37 | Libraries | 1943-1947 | ||||||||||
3024 | 38 | Library of Congress | 1938-1947 | ||||||||||
3024 | 39 | Lion, Stephan | undated, 1940-1942 | ||||||||||
3025 | 1 | Loeb, G. M. | 1945-1946 | ||||||||||
3025 | 2 | Loshak, Althea (restricted) | 1947 | ||||||||||
3025 | 3 | Lossonczy, Tamás | 1949 | ||||||||||
3025 | 4 | Ludeke, Henry | 1939-1942 | ||||||||||
M | |||||||||||||
3025, 5040 | 5-20, 15 | General (17 folders) (1 restricted) | undated, 1937-1952 | ||||||||||
3025 | 21 | MacCracken,William P., Jr. | 1945-1947 | ||||||||||
3026 | 1 | Magazine Digest | 1941-1942 | ||||||||||
3026 | 2 | Magnolia Artcraft Shop (restricted) | 1938-1939 | ||||||||||
3026 | 3 | Manfredi, Joseph | 1941 | ||||||||||
3026 | 4 | Mann, Frank | 1942 | ||||||||||
3026 | 5 | Mansueto, Nancy | 1951 | ||||||||||
3026 | 6 | Marquette, Jacques, Dr. | 1943-1949 | ||||||||||
3026 | 7 | Martin, Julian Agart | 1941 | ||||||||||
3026 | 8 | Matchabelli, Princess Norina | 1942 | ||||||||||
3026 | 9 | Mattern, Alice | 1943 | ||||||||||
3026 | 10 | McCloud, Lillard | 1945 | ||||||||||
3026, 5040 | 11, 16 | McGraw-Phillips, Inc. (2 folders) | 1939-1950 | ||||||||||
3026 | 12-13 | McMahon, Rosemary (2 folders) (1 restricted) | 1942-1943 | ||||||||||
3026 | 14 | Menken, Marie | 1938-1941 | ||||||||||
3026 | 15 | Merkel, John E. Jr. | 1939 | ||||||||||
3026 | 16 | Merou, Jean | 1937-1938 | ||||||||||
3026 | 17 | Merriam, Mylon | 1939 | ||||||||||
3026 | 18 | Meteorology Observatory | 1942 | ||||||||||
3026 | 19 | Metropolitan Museum of Art | 1947 | ||||||||||
3026 | 20 | Miller, Henry | 1949 | ||||||||||
3026 | 21-22 | Milligan, Gladys (2 folders) (1 restricted) | 1942 | ||||||||||
3026 | 23 | Milwaukee Art Institute | 1945 | ||||||||||
3026 | 24 | Mitchell, Hellen G. | 1946 | ||||||||||
3026 | 25 | M. Knoedler and Company | 1938 | ||||||||||
3026 | 26-27 | Moholy-Nagy, László (2 folders) (1 restricted) | 1937-1944 | ||||||||||
3026 | 28-29 | Moholy-Nagy, Sibyl (2 folders) (1 restricted) | 1947-1948 | ||||||||||
3026 | 30 | Molinari, Miss? | 1942 | ||||||||||
3026 | 31 | Morris, Charles | 1940 | ||||||||||
3026 | 32 | Morris, George L.K. | undated, 1940 | ||||||||||
3026 | 33 | Morris, Lawrence S. | 1946-1947 | ||||||||||
3026 | 34 | Motherwell, Robert | 1944 | ||||||||||
3026, 3027, 5040 | 35, 1-2, 17 | Müller-Kraus, Erich (4 folders) | undated, 1948-1952 | ||||||||||
3027 | 3 | Munro, Katherine | undated, 1940-1941 | ||||||||||
3027 | 4 | Murray and Leon Guggenheim Dental Clinic | 1941 | ||||||||||
3027 | 5-6 | Muschenheim, William (2 folders) (1 restricted) | 1938-1947 | ||||||||||
3027 | 7 | Museum Council of New York City | 1947-1948 | ||||||||||
3027 | 8 | Museum News | 1952 | ||||||||||
3027 | 9 | Museum of Fine Arts, Boston | undated, 1947 | ||||||||||
3027 | 10 | Museum of Fine Arts, Houston | 1937-1946 | ||||||||||
3027 | 11-12 | Museum of Modern Art (2 folders) (1 restricted) | 1939-1947 | ||||||||||
N | |||||||||||||
3027, 3028 | 13-15, 1-9 | General (12 folders) | 1937-1952 | ||||||||||
3028 | 10 | Naess, Elsa | 1949 | ||||||||||
3028 | 11 | National Gallery of Art | 1943-1948 | ||||||||||
3028 | 12-15 | Nebel, Otto (4 folders) (1 restricted) | 1936-1951 | ||||||||||
3028 | 16-17 | Neumann, J. B. (2 folders) (1 restricted) | 1939-1950 | ||||||||||
3028 | 18 | New York City Federation of Women's Clubs | 1945 | ||||||||||
3028 | 19 | New York Herald Tribune | 1942 | ||||||||||
3028 | 20 | New York Journal-American | 1941-1942 | ||||||||||
3028 | 21 | Ney, Lloyd Raymond | 1942 | ||||||||||
3028 | 22 | Nierendorf, Karl (2 folders) | 1937-1950 | ||||||||||
3028 | 23 | Nitz, William | 1943-1944 | ||||||||||
3028 | 24 | Nixon, David | 1945 | ||||||||||
3028 | 25 | N. M. Hill Gallery | 1946 | ||||||||||
O | |||||||||||||
3028 | 26-34 | General (9 folders) (1 restricted) | 1939-1952 | ||||||||||
3028 | 35 | Ocorr, Clarence | 1938 | ||||||||||
3028 | 36 | Oelsner, Waldemar (restricted) | 1947 | ||||||||||
3028 | 37 | Oeri, Gabrielle | undated | ||||||||||
3028 | 38 | O'Hagan, John | 1945 | ||||||||||
3028 | 39 | Olwyler, Jay | 1951 | ||||||||||
3028 | 40 | O'Neill, Cecilia | 1943-1944 | ||||||||||
3028 | 41 | Orb, Ovan | 1941 | ||||||||||
3028 | 42 | Otto, Unknown | undated | ||||||||||
3028 | 43 | Oviatt Galleries | 1937-1938 | ||||||||||
3028 | 44 | Owens, Virginia | 1939 | ||||||||||
P | |||||||||||||
3029 | 1-10 | General (10 folders) (1 restricted) | 1938-1952 | ||||||||||
3029 | 11 | Pandolfi, Unknown | undated, 1940 | ||||||||||
3029 | 12 | Pantheon Books | 1944 | ||||||||||
3029 | 13 | Partridge, Roi | 1939, 1942 | ||||||||||
3029 | 14 | Passedoit, Georgette | 1940-1949 | ||||||||||
3029 | 15 | Peavy, Paulina | 1944 | ||||||||||
3029 | 16 | Pepsi-Cola Annual Art Competition | 1946 | ||||||||||
3029 | 17 | Pereira, Irene Rice | 1943 | ||||||||||
3029 | 18 | Peters, Ruby M. | 1943 | ||||||||||
3029 | 19 | Petroleum Heat and Power Company | 1942 | ||||||||||
3029 | 20 | Pierre Matisse Gallery | 1938-1941 | ||||||||||
3029 | 21 | Plantin Press | undated, 1941 | ||||||||||
3029 | 22 | Politis, M. J. | 1939 | ||||||||||
3029 | 23 | Powers Reproduction Corporation | 1939-1942 | ||||||||||
3029 | 24 | Price, Edward T. | 1939-1941 | ||||||||||
3030 | 1-2 | Printers (2 folders) | 1943-1950 | ||||||||||
3030 | 3 | Proctor, Bertram | 1941 | ||||||||||
3030 | 4 | Prytek, Hildegarde J. | 1949-1950 | ||||||||||
3030 | 5 | Pullman Company | 1943 | ||||||||||
Q | |||||||||||||
3030 | 6 | Quaker Emergency Service | 1944 | ||||||||||
3030 | 7 | Quilty, Margaret | 1950 | ||||||||||
R | |||||||||||||
3030 | 8-15 | General (8 folders) | 1937-1952 | ||||||||||
3030 | 16 | Radio Stations | 1944 | ||||||||||
3030 | 17 | Railway Express Agency | 1941 | ||||||||||
3030 | 18 | Rambosson, Ivanhoe | 1937-1940 | ||||||||||
3031 | 1 | Rawnsley, Violet | 1947 | ||||||||||
3031 | 2 | Ray, Rudolf | 1942 | ||||||||||
3031 | 3 | RCA Communications | 1947-1950 | ||||||||||
3031 | 4 | Realty Associates | 1942 | ||||||||||
3031 | 5 | Rebay, Franz von | 1939 | ||||||||||
3031 | 6 | Rebay, Gabriele von | 1947-1951 | ||||||||||
3031 | 7 | Rebay, Hella von | 1946-1947 | ||||||||||
3031 | 8 | Rebay, Roland von | 1947-1950 | ||||||||||
3031 | 9 | Red Comet | 1941 | ||||||||||
3031 | 10 | Rehmann, R. | 1947 | ||||||||||
3031 | 11 | Requests for Admission Tickets | 1939-1940 | ||||||||||
3031 | 12-13 | Requests for Information about the Foundation (2 folders) | 1939-1949 | ||||||||||
3031 | 14 | Rewald, John | 1945 | ||||||||||
3031 | 15 | Rhett, Mrs. | 1941 | ||||||||||
3031 | 16 | Rich, Daniel Cotton | 1945 | ||||||||||
3031 | 17 | Richter, Aly and George | 1941-1944 | ||||||||||
3031 | 18 | Richter, Hans | 1939-1941 | ||||||||||
3031 | 19 | Robertson, Thomas A. and Virginia N. (restricted) | 1946 | ||||||||||
3031 | 20 | Robicsek, Hans | 1945 | ||||||||||
3031 | 21 | Robinson, Jay | 1947 | ||||||||||
3031 | 22 | Roché, Henri Pierre | 1946-1950 | ||||||||||
3031 | 23 | Roh, Franz | 1949 | ||||||||||
3031 | 24 | Roosevelt, Eleanor | 1945 | ||||||||||
3031 | 25 | Rosenthal, Rachel | 1946 | ||||||||||
3031 | 26 | Rosenthal, Robert | 1942-1943 | ||||||||||
3031 | 27 | Ross, G. H., Dr. (Nevada Board of Medical Examiners) | 1947 | ||||||||||
3031 | 28 | Rothschild, Louis F. | 1939, 1943 | ||||||||||
3031 | 29 | Roullier, Alice | 1938 | ||||||||||
3031 | 30 | Rowan, Edward B. | 1941 | ||||||||||
3031 | 31 | Ruffini, Elise (Teachers College, Columbia University) | 1943-1946 | ||||||||||
3031 | 32 | Russell Sage Foundation | 1937-1941 | ||||||||||
3032 | 1 | Ryan, Mary | 1940-1942 | ||||||||||
S | |||||||||||||
3032, 5040 | 2-12, 18 | General (12 folders) (1 restricted) | 1936-1952 | ||||||||||
3032 | 13 | Sahmel, Charlotte | 1949 | ||||||||||
3032 | 14 | Salemme, Attilio (restricted) | 1943 | ||||||||||
3032 | 15 | Salon des Réalités Nouvelles | 1946-1951 | ||||||||||
3032 | 16 | Sanders, Sue T. | 1940 | ||||||||||
3033 | 1 | San Quentin Prison | 1948-1949 | ||||||||||
3033 | 2 | Satterlee, Hugh | 1943 | ||||||||||
3033 | 3 | Sawyer, Julian | 1949 | ||||||||||
3033 | 4 | Scarlett, Rolph | 1937-1942 | ||||||||||
3033, 5040 | 5, 19 | Schiller, Albert (2 folders) | 1938, 1945 | ||||||||||
3033 | 6 | Schwank, Friedrich H. | 1950-1951 | ||||||||||
3033 | 7 | Selleck, F. S. | 1942 | ||||||||||
3033 | 8 | Sides, F. | 1949 | ||||||||||
3033 | 9 | Sidney Janis Gallery | 1944,1948 | ||||||||||
3033 | 10 | Silk, Thomas | 1943 | ||||||||||
3033 | 11 | Simpkins, Carmen and Nathaniel | 1939-1941 | ||||||||||
3033 | 12 | Smith, Charles | 1938-1942 | ||||||||||
3033 | 13 | Smith, Unknown | 1945 | ||||||||||
3033 | 14 | Soby, James Thrall (restricted) | 1944 | ||||||||||
3033 | 15 | Solomon, Charles | 1947 | ||||||||||
3033 | 16 | Sonberg, Mrs. J. M. | 1944 | ||||||||||
3033 | 17 | Southern Literary Messenger | 1942 | ||||||||||
3033 | 18 | Spier, Lotte | 1943 | ||||||||||
3033 | 19 | Spring, Bernard Polmer | 1945 | ||||||||||
3033 | 20 | Staff | 1952 | ||||||||||
3033 | 21 | Star Record Company | 1940 | ||||||||||
3033 | 22 | Stenotype Services | 1941-1942 | ||||||||||
3033 | 23 | Stern, Lucia | 1944-1952 | ||||||||||
3033 | 24 | St. John, Margaret | 1944 | ||||||||||
3033 | 25 | Stockmar, Severin | undated, 1938 | ||||||||||
3033 | 26 | Strahord-Giesler, Mrs. | 1948 | ||||||||||
3033 | 27 | Strauss, Julius | 1946-1947 | ||||||||||
3033 | 28 | Stevens, Will Henry | 1940 | ||||||||||
3033 | 29 | Stokes, Cecil (Auroratone Foundation of America) | 1947-1948 | ||||||||||
3033 | 30 | Strother, Shelby F. | 1945 | ||||||||||
3033 | 31 | Summit Art Association | 1942 | ||||||||||
3033 | 32 | Sweeney, James Johnson | undated, 1949, 1952 | ||||||||||
T | |||||||||||||
3033, 5040 | 33-38, 20 | General (7 folders) | undated, 1937-1952 | ||||||||||
3034 | 1 | Taçon, Edna | 1940-1946 | ||||||||||
3034 | 2 | T. Eaton Company | 1943 | ||||||||||
3034 | 3-10 | Telegrams (8 folders) | 1936-1952 | ||||||||||
3035 | 1 | Templeton, Alec (WQXR) | 1943 | ||||||||||
3035 | 2 | Thannhauser, Justin | undated | ||||||||||
3035 | 3 | Theobald, Paul | 1943-1947 | ||||||||||
3035 | 4 | Tierney, Gene | 1941 | ||||||||||
3035 | 5 | Timely Prints | 1943-1945 | ||||||||||
3035 | 6 | Time Magazine | 1943-1945 | ||||||||||
3035 | 7 | Tobey, Harry | 1940 | ||||||||||
3035 | 8 | Tobias, Fischer and Company | 1943 | ||||||||||
3035 | 9 | Tolstoy Foundation | 1943-1945 | ||||||||||
3035 | 10 | Tom Fizdale Incorporated | 1941-1942 | ||||||||||
3035 | 11 | Tomorrow: The Magazine of the Future | 1943 | ||||||||||
3035 | 12 | Tost, Heinrich | 1949-1951 | ||||||||||
3035 | 13 | Town Hall Club | 1940 | ||||||||||
3035 | 14 | Tracy, Lois Bartlett (restricted) | 1947-1949 | ||||||||||
3035 | 15 | Triboro Engineering Company | 1948-1949 | ||||||||||
3035 | 16 | Troubetzkoy, Serge and Dorothy | 1943 | ||||||||||
U | |||||||||||||
3035 | 17-18 | General (2 folders) (1 restricted) | 1941-1952 | ||||||||||
3035 | 19 | Uding, Karl Heinz | 1948-1951 | ||||||||||
3035 | 20 | Ulber, Althea | 1939 | ||||||||||
3035 | 21 | Unique Art Galleries | 1947 | ||||||||||
3035, 5040 | 22 | United Nations Educational, Scientific and Cultural Organization (UNESCO) (2 folders) | 1949-1952 | ||||||||||
3035 | 23 | United Service Organizations (USO) | 1946 | ||||||||||
3035 | 24 | United States Post Office | 1939-1952 | ||||||||||
3035 | 25 | University of Georgia | 1946-1948 | ||||||||||
3035 | 26 | Usonia Homes, A Cooperative | 1946 | ||||||||||
V | |||||||||||||
3035 | 27-31 | General (5 folders) | 1938-1952 | ||||||||||
3035 | 32 | Van Everen, Margery | 1948 | ||||||||||
3035 | 33 | Vaughan, Agnes Carr | 1952 | ||||||||||
3035 | 34 | Vaupell, Edna | 1949 | ||||||||||
3035 | 35 | Ver Becke, W. Edwin | 1944-1947 | ||||||||||
3035 | 36 | Viele, Chase | 1944 | ||||||||||
3035 | 37 | Viereck, Hardy von | 1945-1948 | ||||||||||
3035 | 38 | Vietta, Egon | 1950-1951 | ||||||||||
3035 | 39 | Vilas, Faith | 1945 | ||||||||||
W | |||||||||||||
3035, 3036, 5040 | 40-42, 1-6, 22 | General (10 folders) (1 restricted) | undated, 1938-1952 | ||||||||||
3036 | 7 | Walden, Nell (restricted) | 1949 | ||||||||||
3036 | 8 | Wallenberg, Hans | 1950 | ||||||||||
3036 | 9 | Wall-Rus Fabrics Company | 1951 | ||||||||||
3036 | 10 | War Department: Civil Affairs Division | 1947 | ||||||||||
3036 | 11 | Waugaman, Blanche | 1945, 1947 | ||||||||||
3036 | 12 | Wheeler, Roy R. | 1943 | ||||||||||
3036 | 13 | Whitelaw, Robert N.S. (Carolina Art Association) | 1941 | ||||||||||
3036 | 14 | Wicht, John van | 1938 | ||||||||||
3036 | 15 | Williams, Amancio | 1946, 1949 | ||||||||||
3036 | 16 | Winter, F.A. Th. | 1950 | ||||||||||
3036 | 17 | Wright, William A. Jr. | 1946 | ||||||||||
3036 | 18 | Writers War Board | 1943 | ||||||||||
3036 | 19 | Woelffer, Emerson | 1946 | ||||||||||
3036 | 20 | Woodner-Silverman, I. | 1937-1938 | ||||||||||
3036 | 21 | X: Xceron, Jean | 1951 | ||||||||||
Y | |||||||||||||
3036 | 22 | General | 1941-1951 | ||||||||||
3036 | 23 | Youngerman, Jack | undated, 1950-1952 | ||||||||||
3036 | 24 | Young Men's and Young Women's Hebrew Association | 1943, 1947 | ||||||||||
Z | |||||||||||||
3036 | 25-26 | General (2 folders) | 1939, 1947-1952 | ||||||||||
3036 | 27 | Zara, Louis | 1950 | ||||||||||
3036 | 28 | Zerahn, Annelies | 1947 | ||||||||||
3036 | 29 | Zitelmann, Edith | 1946 | ||||||||||
3036 | 30 | Zogbaum, Wilfrid | 1937 | ||||||||||
3036 | 31 | Unknown, Edward | 1937 | ||||||||||
3036 | 32 | Unknown, Felix | 1940 | ||||||||||
3036 | 33 | Unknown, Mady | 1939 | ||||||||||
3036 | 34-35 | Unknown (2 folders) | undated, 1938-1951 | ||||||||||
3036, 3037 | 36-37, 1-12 | Day Files (14 folders) (2 restricted) | 1950-1952 | ||||||||||
Donations and Scholarships | |||||||||||||
3038 | 1 | Artist Checks Paid by Hilla Rebay | undated, 1938-1941 | ||||||||||
3038 | 2 | Cancelled Checks | 1937-1941 | ||||||||||
Correspondence | |||||||||||||
3038 | 3 | Bullis, Ralph | 1951-1952 | ||||||||||
3038 | 4 | Javana, Max William | 1948 | ||||||||||
3038 | 5-7 | Thiele, Albert (3 folders) | 1939, 1948, 1951 | ||||||||||
5039 | 13 | Donations to Art Students | 1948 | ||||||||||
Humanitarian Aid Overseas | |||||||||||||
Beneficiaries | |||||||||||||
3038 | 8-9 | Artists (2 folders) | 1945, 1949-1952 | ||||||||||
3038 | 10 | Artists and Organizations | 1950-1951 | ||||||||||
3038 | 11 | Children | 1947-1950 | ||||||||||
3038 | 12-16 | Correspondence (5 folders) | undated, 1939-1940, 1946, 1949-1952 | ||||||||||
3038 | 17 | Memoranda and Notes | undated, 1947-1951 | ||||||||||
Packages | |||||||||||||
3038 | 18 | Lists | 1949-1950 | ||||||||||
3038, 3039, 3040, 3041, 3042 | 19-20, 1-8, 1-9, 1-10, 1-6 | Record Books (35 folders) | 1946-1952 | ||||||||||
3043 | 1 | Statements of Donations | 1951-1952 | ||||||||||
3043 | 2 | Statements of Monday Transfers | 1948-1951 | ||||||||||
Suppliers | |||||||||||||
3043 | 3 | American Committee for the Relief of German Needy | 1950-1952 | ||||||||||
3043 | 4 | American Women's Voluntary Services | 1951-1952 | ||||||||||
3043, 5039 | 5, 14 | Bircham Newton Company (2 folders) | 1951-1952 | ||||||||||
3043 | 6-8 | Cooperative for American Remittances to Europe (CARE) (3 folders) | 1948, 1951-1952 | ||||||||||
3043 | 9 | Deutsche Bundespost | 1952 | ||||||||||
3043 | 10 | Fortra | undated | ||||||||||
3043 | 11 | Gramercy Shipping Company | 1951 | ||||||||||
3043, 5039 | 12, 15 | Hamburg-Bremen Steamship Agency (2 folders) | 1951-1952 | ||||||||||
5039 | 16 | Hansa Delicatessen | 1951 | ||||||||||
3043, 5039 | 13, 17 | Hildebrand Shop (2 folders) | 1951-1952 | ||||||||||
5039 | 18 | H. Muhlenbrock | 1951 | ||||||||||
3043 | 14 | Karl Hardach | 1951 | ||||||||||
3043 | 15-18 | Koch Overseas Company (4 folders) | 1951-1952 | ||||||||||
3043 | 19 | Landerer Import and Export Company | 1952 | ||||||||||
3043 | 20 | Linden Cake Company | 1951 | ||||||||||
5039 | 19 | Overseas Associates | 1951 | ||||||||||
3043, 3044, 5039 | 21-22, 1, 20 | Richard Seitz: Foreign and Domestic Securities (4 folders) (1 restricted) | 1949-1952 | ||||||||||
3043, 3044 | 2-10 | Save a Friend in Europe (SAFE) (9 folders) | 1948-1951 | ||||||||||
5039 | 21-22 | United States Relief Service (2 folders) | 1951-1952 | ||||||||||
3044 | 11 | Wisconsin Farms | 1951 | ||||||||||
Paint Material Fund | |||||||||||||
5039 | 23 | Account Balance | 1951-1952 | ||||||||||
3044 | 12 | Artists' Declarations to Properly Use Payments | 1942 | ||||||||||
3044, 3045 | 13-16, 1-5 | Check Requests (9 folders) | 1942-1952 | ||||||||||
Correspondence | |||||||||||||
3045 | 6-7 | Beneficiaries (2 folders) | 1943-1951 | ||||||||||
3045 | 8 | Seitz, Richard | 1950 | ||||||||||
3045 | 9 | Memoranda and Notes | 1945-1951 | ||||||||||
3045 | 10-21 | Payments to Artists (12 folders) | undated, 1938-1952 | ||||||||||
Reports and Statements | |||||||||||||
3045 | 22 | General | 1951-1952 | ||||||||||
3045 | 23 | Artists' Activities with Foundation | undated | ||||||||||
3045 | 24-26 | Requests for Funding (3 folders) | 1937-1951 | ||||||||||
Scholarships | |||||||||||||
5039 | 24-27 | Applications (4 folders) | undated, 1938-1945 | ||||||||||
3046 | 1 | Lists of Scholarships and Other Periodic Payments | 1937-1952 | ||||||||||
3046 | 2 | Memoranda and Notes | 1938 | ||||||||||
3046 | 3 | Ownership of Artwork | undated | ||||||||||
Progress Reports | |||||||||||||
3046 | 4 | Ryan, Mary | 1940 | ||||||||||
3046 | 5 | Scarlett, Rolph | 1940 | ||||||||||
3046, 3047, 5039 | 6-13, 1-12, 28-29 | Requests for Application and Information (22 folders) | 1937-1952 | ||||||||||
3047 | 13 | Solomon R. Guggenheim Foundation French Writing Prize: Correspondence | 1939 | ||||||||||
3047 | 14 | Educational Program Questionnaire | undated | ||||||||||
Events | |||||||||||||
3047, 3048 | 15-18, 1 | Guest Lists (5 folders) | 1939-1942 | ||||||||||
3048 | 2 | Museum Council of New York City: Dinner | 1951 | ||||||||||
Film | |||||||||||||
3048 | 3 | Correspondence: General | 1941-1949 | ||||||||||
Equipment and Supplies | |||||||||||||
3048 | 4 | Brochures | undated | ||||||||||
3048 | 5 | Correspondence | 1940-1944 | ||||||||||
Festival of Rhythm (Dock Street Theatre, Charleston, South Carolina) (2 folders) | |||||||||||||
Correspondence | |||||||||||||
3048 | 6 | General | 1941 | ||||||||||
5039 | 30 | McLaren, Norman | 1941 | ||||||||||
3048 | 7 | Press Release | 1941 | ||||||||||
3048 | 8 | Program Notes | 1941 | ||||||||||
3048, 5039 | 9-12, 31 | Film Concerts (5 folders) | 1940-1941 | ||||||||||
Filmmakers | |||||||||||||
3048 | 13 | Bray Pictures Corporation | 1939 | ||||||||||
3048 | 14 | Bute, Mary Ellen: Correspondence | 1937, 1947 | ||||||||||
3048 | 15 | Crockwell, Douglas | 1937-1938 | ||||||||||
Dockum, Charles | |||||||||||||
3048 | 16-19 | Correspondence (4 folders) | 1943-1950 | ||||||||||
Mobile Color Projector | |||||||||||||
3048 | 20 | Budget Estimate | 1950 | ||||||||||
3048 | 21 | Contract (restricted) | 1946-1950 | ||||||||||
3048 | 22 | Location and Installation | 1951 | ||||||||||
3049 | 1 | Photographs | circa 1944 | ||||||||||
3049 | 2 | Plan for Temporary Installation of Mobile Color Machine in Proposed Lecture Room at the Solomon R. Guggenheim Museum | undated | ||||||||||
3049 | 3 | Reports | 1950-1952 | ||||||||||
3049 | 4 | Solomon R. Guggenheim Museum Film Center: Notes | undated | ||||||||||
Fischinger, Oskar | |||||||||||||
5039 | 32 | Contract | 1941, 1947 | ||||||||||
3049 | 5-10 | Correspondence (6 folders) | 1938-1948 | ||||||||||
3049 | 11 | Non-Objective Musical Film in Color | 1941 | ||||||||||
3049 | 12 | Optical Poem | 1941-1946 | ||||||||||
3049 | 13 | Photograph | undated | ||||||||||
3049 | 14 | Grain, Mark: Correspondence | 1948-1949 | ||||||||||
Grant, Dwinell | |||||||||||||
3049 | 15-17 | Color Research: Scales and Value Key (3 folders) | undated | ||||||||||
3049 | 18 | Contract (restricted) | 1944 | ||||||||||
3050 | 1-3 | Correspondence (3 folders) | 1939-1951 | ||||||||||
Manuscripts | |||||||||||||
3050 | 4-9 | [The Composition of the Non-Objective Film] (6 folders) | undated | ||||||||||
3050 | 10 | The Place of Abstract Design in the Art of Western Europe | undated | ||||||||||
3050 | 11 | Memoranda (restricted) | 1950 | ||||||||||
3050 | 12 | Proposal for Film about Solomon R. Guggenheim Foundation | 1942 | ||||||||||
Scores | |||||||||||||
3050 | 13 | Composition #5 Part 1 | undated | ||||||||||
3050 | 14 | Three Themes in Variation | 1945 | ||||||||||
3051 | 1 | Uncompleted Composition in 4 Major (2 folders) | undated | ||||||||||
3051, 3132 | 1b-c, 1 | Stereoscopic Drawings (3 folders) | undated | ||||||||||
3051 | 2 | Storyboard [Unknown Composition] | undated | ||||||||||
Lester, Howard | |||||||||||||
3051 | 3 | Correspondence | 1939-1940 | ||||||||||
3051 | 4 | Manuscript: The So-Called Absolute Film. Will it Find a Place in the Entertainment World? | Undated | ||||||||||
Levene, Behn | |||||||||||||
3051 | 5 | Correspondence | 1937 | ||||||||||
3051, 5039 | 6, 33 | Manuscript: It Could Never Happen Again (2 folders) | 1937 | ||||||||||
McLaren, Norman | |||||||||||||
3051, 5039 | 7, 34 | Correspondence (2 folders) | 1941-1945 | ||||||||||
3051 | 8 | Direction on Mr. Guggenheim's Film | circa 1942 | ||||||||||
3051 | 9 | Merriam, Mylon: Motion Picture Target Photography | 1939 | ||||||||||
3051 | 10 | Moholy-Nagy, László: Correspondence | 1944 | ||||||||||
3051 | 11 | Nemeth, Ted: Correspondence | 1941, 1949 | ||||||||||
3051 | 12 | Pressman, Irving: Correspondence | 1946 | ||||||||||
3051 | 13 | Radl, O.P.: Correspondence | 1949 | ||||||||||
3051 | 14 | Rogers, Robert: Correspondence | 1949 | ||||||||||
Smith, Harry | |||||||||||||
3051 | 15 | Correspondence | 1950-1951 | ||||||||||
5039 | 35 | San Francisco Museum of Art: Art in Cinema Seventh Series | 1946 | ||||||||||
Whitney, James and John | |||||||||||||
3052 | 1 | Correspondence | 1946 | ||||||||||
3052 | 2 | Film Frames | circa 1946 | ||||||||||
3052 | 3 | Film Still: Animation #3 | circa 1946 | ||||||||||
3052 | 4 | Movement Diagram | circa 1946 | ||||||||||
3052 | 5 | Photograph | circa 1946 | ||||||||||
3052 | 6 | Report of Work | circa 1946 | ||||||||||
5039 | 36 | San Francisco Museum of Art: Art in Cinema Series One | 1946 | ||||||||||
5039 | 37 | Writing: Color Music-Abstract Film-Audio-Visual Music (Arts and Architecture) | 1944 | ||||||||||
3052 | 7 | Inventories of Films Owned by Solomon R. Guggenheim Foundation | undated, 1942, 1949 | ||||||||||
3052 | 8 | Lecture: Experimental Film Making | 1948 | ||||||||||
3052 | 9 | Memoranda | undated, 1942,1949 | ||||||||||
5039 | 38 | Motion Picture Exhibition License | 1941 | ||||||||||
3052 | 10 | Reproductions | 1949 | ||||||||||
5039 | 39 | Research | undated | ||||||||||
3052 | 11 | Storage | 1948-1949 | ||||||||||
Finance | |||||||||||||
3052 | 12 | General | 1946 | ||||||||||
3052 | 13-16 | Approved Invoice Transmittals (4 folders) | 1945-1947 | ||||||||||
Orders | |||||||||||||
Artist Supplies | |||||||||||||
3052 | 17 | Memoranda and Notes | 1941 | ||||||||||
3052 | 18 | Receipts and Packing Slips | 1941-1942, 1948-1950 | ||||||||||
3052, 3053, 5039 | 19, 1, 40 | Books, Catalogues, and Magazine (2 folders) | 1941-1950 | ||||||||||
Petty Cash | |||||||||||||
Account Statements | |||||||||||||
3053 | 2-6 | Rebay, Hilla (5 folders) | 1946-1952 | ||||||||||
3053 | 7-15 | Solomon R. Guggenheim Foundation (9 folders) | 1943-1950 | ||||||||||
3053 | 16 | Correspondence | 1943-1948 | ||||||||||
3053 | 17 | Memoranda and Notes | 1947, 1952 | ||||||||||
3053 | 18 | Record Book | 1949 | ||||||||||
3054, 3055, 5039 | 1-8, 1-4, 41 | Vouchers and Receipts (13 folders) | 1941-1950 | ||||||||||
3055 | 5-7 | Refunds from Solomon R. Guggenheim Foundation to Hilla Rebay (3 folders) | 1942, 1947-1950 | ||||||||||
3055 | 8 | Vendors | 1941-1942 | ||||||||||
3055 | 9 | Form Letters | undated | ||||||||||
Guggenheim, Solomon R. | |||||||||||||
Biography by Hilla Rebay | |||||||||||||
3055 | 10 | Drafts | undated, 1939 | ||||||||||
3055 | 11 | Research | 1934-1945 | ||||||||||
Birthday Celebrations | |||||||||||||
Eightieth: Portfolio | |||||||||||||
3055 | 12 | Correspondence: Artists | 1940 | ||||||||||
3055 | 13 | Memoranda and Notes | 1940 | ||||||||||
3055 | 14 | Participating Artists | 1940-1941 | ||||||||||
3055 | 15 | Preface to Portfolio | 1940 | ||||||||||
Eighty-Fifth | |||||||||||||
Correspondence | |||||||||||||
3055 | 16 | Boyd, Robert | 1946 | ||||||||||
3055 | 17 | Guggenheim, Solomon R. | 1946 | ||||||||||
3055 | 18 | Gunther, Arthur | 1946 | ||||||||||
3055 | 19 | National Gallery of Art | 1946 | ||||||||||
Portfolio | |||||||||||||
3055 | 20 | Correspondence: Artists | 1945 | ||||||||||
3055 | 21 | Memoranda and Notes | 1946 | ||||||||||
3055 | 22 | Participating Artists | undated, 1946 | ||||||||||
3055 | 23 | Record of Birthdays | 1946 | ||||||||||
3055 | 24 | Condolence Letters | 1949 | ||||||||||
3055, 3129 | 25-26, 1-5 | Photographs (7 folders) | undated, 1948 | ||||||||||
3055, 3056, 3057, 3058, 3059, 3060, 3061 | 27-29, 1-13, 1-9, 1-9, 1-9, 1-9, 1-4 | Hostess Reports (56 folders) | undated, 1942-1952 | ||||||||||
3062 | 1-2 | Instructions on How to Hang Artwork: Remember the Center Must Embrace the Outside (2 folders) | circa 1950 | ||||||||||
Lectures | |||||||||||||
5041 | 1 | Correspondence | 1949 | ||||||||||
Invitations | |||||||||||||
3062 | 3 | Mockups | undated | ||||||||||
3062 | 4 | Requests | undated, 1940-1948 | ||||||||||
3062 | 5 | Invite Lists | 1940-1941 | ||||||||||
Rebay, Hilla | |||||||||||||
3062 | 6 | Art is Power Because It is Fate | 1935 | ||||||||||
3062 | 7 | Fundamental Values of Non-Objectivity | undated | ||||||||||
3062 | 8 | The [?] Influence of Creative Prophetic Artists | 1933 | ||||||||||
3062 | 9 | Kuntschaffen und Kunsterleben | undated | ||||||||||
3062 | 10 | Music of Non-Objective Painting | October 15, 1946 | ||||||||||
3062, 3063, 3064 | 11-17, 1-27, 1-13 | Non-Objective Painting (47 folders) | 1940-1952 | ||||||||||
3064 | 14 | Non-Objectivity in Art | October 15, 1942 | ||||||||||
3064 | 15 | On Peace | January 13, 1948 | ||||||||||
3064 | 16-17 | Research Notes (2 folders) | undated | ||||||||||
5041 | 2 | Solomon R. Guggenheim Collection and Non-Objectivity: A Fundamental Value to the Nation | undated | ||||||||||
3064, 5041 | 18, 3 | Unidentified Drafts (2 folders) | undated, 1940 | ||||||||||
Untitled | |||||||||||||
3064 | 19 | [Cheating not only through poor materials] | undated | ||||||||||
3064 | 20 | [The exhibition which we are showing] | January 6, 1938 | ||||||||||
3064 | 21 | [The field I want to cover] | January 15, 1935 | ||||||||||
3064 | 22 | [I am extremely glad to be back in New York] (Includes Press) | October 4, 1935 | ||||||||||
3064 | 23 | [Intuition expressed] | undated | ||||||||||
3064 | 24 | [Recently a painter brought me a canvas] | undated | ||||||||||
3064 | 25-26 | [Thousands of years ago] (2 folders) | 1940-1941 | ||||||||||
Legal | |||||||||||||
Certificates | |||||||||||||
3065 | 1 | Electrical Inspection | 1940 | ||||||||||
5041 | 4 | Occupancy | 1948 | ||||||||||
3065 | 2 | Graham vs. Guggenheim Foundation (restricted) | 1937-1939 | ||||||||||
Maintenance and Office Supplies | |||||||||||||
3065 | 3 | Blackout Curtains | 1942 | ||||||||||
3065 | 4 | Brochures | undated, 1946-1949 | ||||||||||
3065 | 5-8 | Correspondence (4 folders) | 1941-1952 | ||||||||||
3065 | 9 | Letterhead | undated | ||||||||||
3065 | 10 | List of Suppliers | undated | ||||||||||
3065 | 11-12 | Memoranda and Notes (2 folders) | 1941-1942, 1948-1951 | ||||||||||
3066 | 1-8 | Receipts and Packing Slips (8 folders) | 1941-1951 | ||||||||||
3066 | 9 | Requisition Forms | 1950-1952 | ||||||||||
3066, 3067 | 10-13, 1-4 | Museum Reports (8 folders) | 1940-1951 | ||||||||||
3067 | 5 | Music Programs | 1939-1941 | ||||||||||
3067 | 6 | Non-Objective Research Projects and Studies: Proposals | undated, 1940 | ||||||||||
Office Files | |||||||||||||
Address Books | |||||||||||||
3068 | 1-10 | General (10 folders) | undated | ||||||||||
3069 | 1 | Arizona, New Mexico, and Oregon | undated | ||||||||||
3069 | 2 | Art Critics | undated | ||||||||||
3069 | 3 | Art Directors of Advertising Agencies | undated | ||||||||||
3069 | 4-5 | Artists | undated | ||||||||||
3069 | 6 | Art Schools in the United States | undated | ||||||||||
3069 | 7 | California | undated | ||||||||||
3069 | 8 | England | undated | ||||||||||
3069 | 9-13 | Foreign (5 folders) | undated | ||||||||||
3069 | 14 | France | undated | ||||||||||
3069 | 15 | German Universities and Other Institutions of Higher Education in Occupied Germany | undated | ||||||||||
3069 | 16 | Institutions | undated | ||||||||||
3069 | 17 | Italy | undated | ||||||||||
3069 | 18 | List of Delegations | undated | ||||||||||
3069 | 19-20 | Maine, New Hampshire, and Vermont (2 folders) | undated | ||||||||||
3069 | 21 | Museum Directors | 1950 | ||||||||||
3069 | 22-23 | Museum Visitors (2 folders) | undated | ||||||||||
3070 | 1 | Names of Organizations and Schools | undated | ||||||||||
3070 | 2 | Senators | undated | ||||||||||
3070 | 3 | Social | undated | ||||||||||
3070 | 4 | Switzerland | undated | ||||||||||
3070 | 5 | Teachers and Pupil Teachers | undated | ||||||||||
3070 | 6 | Universities in Germany | undated | ||||||||||
3070 | 7 | Women's Clubs | undated | ||||||||||
3070 | 8 | Air Raid Instructions | undated | ||||||||||
3070 | 9 | Business Cards: Hilla Rebay: Samples and Information | undated, 1947 | ||||||||||
3070 | 10-17 | Daily and Weekly Updates to the Director (8 folders) | 1940-1951 | ||||||||||
3071 | 1 | Gramophone Shop | 1939 | ||||||||||
3071 | 2a | Memoranda and Notes | undated, 1943-1951 | ||||||||||
3071 | 2b | Museum File | circa 1948-1950 | ||||||||||
3071 | 3 | Postage Information | 1941 | ||||||||||
3071 | 4 | Safe Deposit Box (restricted) | 1942 | ||||||||||
3071 | 5 | Shipping Labels (Blank) | undated | ||||||||||
3071 | 6 | Staff Instructions | undated | ||||||||||
3071 | 7 | Storeroom Inventory | 1941 | ||||||||||
3071 | 8 | Telegram Instructions | undated | ||||||||||
3071 | Telephone | ||||||||||||
3071 | 9-10 | Calls | 1940, 1950 | ||||||||||
3071 | 11 | Directory | undated | ||||||||||
3071 | 12 | Visitor Requests and Suggestions | 1947 | ||||||||||
Other Institutions: Exhibitions | |||||||||||||
Announcements | |||||||||||||
3080 | 1 | American Women's Club Art Gallery, New York: Memorial Exhibition of the Work of Lucille Douglas | 1937 | ||||||||||
3080 | 2 | Associated American Artist Third Floor Galleries, New York: Cathal O'Toole | 1934? | ||||||||||
3080 | 3 | Buchholz Gallery, New York: Oskar Kokoschka | undated | ||||||||||
3080 | 4 | Downtown Gallery, New York: Isabella Howland, Raymond Breinen | 1938-1939 | ||||||||||
3080 | 5 | Galerie F & F, Berlin: Magie de Farbe dargestellt in Bildern von Hangeler | 1936 | ||||||||||
3080 | 6 | Gallery Georgette Passedoit, New York: A.E. Gallatin | 1938 | ||||||||||
3080 | 7 | Lilienfeld Galleries, New York: Paintings by Modern French Masters | 1939 | ||||||||||
3080 | 8 | London Gallery, London: Living Art in England | 1939 | ||||||||||
3080 | 9 | Nierendorf Gallery, New York: Forbidden Art of the Third Reich | 1945? | ||||||||||
3080 | 10 | Paul Reinhardt Galleries, New York: Paintings by Tamara de Lempicka | 1939 | ||||||||||
3080 | 11 | Pierre Matisse Gallery, New York: Marc Chagall | 1941 | ||||||||||
3080 | 12 | Quartier St.-Georges (Galerie d'Art), Paris: Exposition de Peintures Reflexions Musicals | 1939 | ||||||||||
3080 | 13 | Theodore A. Kohn and Sons, New York: Non-Objective Paintings by John von Wicht | undated | ||||||||||
3080 | 14 | Valentine Gallery, New York: First Exhibition of Paintings by Cristofanetti | 1940 | ||||||||||
Photographs | |||||||||||||
3080 | 15-16 | Buenos Aires: Retrospective del Prete (2 folders) | circa 1952 | ||||||||||
3080 | 17 | Cleveland Museum of Art, Cleveland: Hilla Rebay Lending Collection | undated | ||||||||||
3080 | 18 | Galerie Louis Carré & Cie, Paris: Robert Delaunay | 1946 | ||||||||||
3080 | 19 | Modern Gallery, Munich: Wassily Kandinsky | 1948 | ||||||||||
3080 | 20 | Oberheissisches Museum, Giessen: Unidentified | undated | ||||||||||
3080 | 21 | Salon D'Automne, Paris: Unidentified | 1938 | ||||||||||
3080 | 22 | Sidney Janis Gallery, New York: Wassily Kandinsky | 1949 | ||||||||||
3080 | 23 | Venice: XXIV Exposizione Internatzionale d'Arte di Venezia | 1948 | ||||||||||
3080 | 24 | Unidentified, Germany: Unidentified | undated | ||||||||||
3080 | 25 | Unidentified, Greece: Xceron, Jean | undated | ||||||||||
3080 | 26 | Unidentified, Hamburg?: Unidentified | undated | ||||||||||
3080 | 27 | Unidentified, Paris: Unidentified | undated | ||||||||||
3080 | 28 | Unidentified: Unidentified | undated | ||||||||||
Personnel | |||||||||||||
3071 | 13 | Appointment of Hamilton Mason, Assistant Curator | 1937 | ||||||||||
3071 | 14 | "Dangerous Characters" (restricted) | undated | ||||||||||
3071 | 15 | Duties of Employees | 1949 | ||||||||||
3071 | 16 | Employee Questionnaire: How Do You Tell The Difference Between a Good and Poor Non-Objective Painting? | undated | ||||||||||
3071 | 17-39 | Employee Records (24 folders) (restricted) | undated, 1938-1952 | ||||||||||
3071 | 40 | Employment Advertisements | 1946-1951 | ||||||||||
3071, 5041 | 41, 5 | Payroll (2 folders) | undated, 1945, 1949-1951 | ||||||||||
3071, 3072 | 42, 1-3 | Requests for Employment (4 folders) | 1937-1951 | ||||||||||
3072 | 4-5 | Staff List and Telephone Directory (2 folders) | undated, 1950 | ||||||||||
3072 | 6 | Workmen's Compensation | 1942-1950 | ||||||||||
3072 | 7-8 | Work Schedule (2 folders) | undated, 1948-1950 | ||||||||||
Proposals and Statements | |||||||||||||
3072 | 9 | General | 1937 | ||||||||||
3072 | 10 | Department of Experimental Non-Objective Art | undated, 1939 | ||||||||||
3072 | 11 | Museum of Non-Objective Art Plan | circa 1937 | ||||||||||
Publications and Reproductions | |||||||||||||
Books | |||||||||||||
3072 | 12-13 | On the Spiritual in Art: Photographs | undated | ||||||||||
Point and Line to Plane | |||||||||||||
3072 | 14 | General | 1946-1947 | ||||||||||
Correspondence | |||||||||||||
3072 | 15 | Cranbrook Foundation | 1947 | ||||||||||
3072 | 16 | Dearstyne, Howard | 1945-1947 | ||||||||||
Sixth Anniversary Catalogue | |||||||||||||
3072 | 17 | Preface Draft | undated | ||||||||||
3072 | 18 | Text Draft | undated | ||||||||||
Booklets | |||||||||||||
Art of Tomorrow | |||||||||||||
3072 | 19 | Correspondence | 1942 | ||||||||||
3072 | 20-22 | First Proof (3 folders) | undated | ||||||||||
3072 | 23 | Mailing Lists | 1942 | ||||||||||
3073 | 1 | Mockups | undated | ||||||||||
Published Copies | |||||||||||||
3073 | 2 | Forty-One Reproductions | undated | ||||||||||
3073 | 3 | Thirty-Three Reproductions | undated | ||||||||||
Public Comments | |||||||||||||
3073 | 4 | Correspondence | 1948-1949 | ||||||||||
3073 | 5 | Published Copy | undated | ||||||||||
3073 | 6 | Solomon R. Guggenheim Foundation's Art of Tomorrow: Published Copy | undated | ||||||||||
Unsolicited Comments Made by the Public in the Museum of Non-Objective Painting, in New York: Published Copy | |||||||||||||
3073 | 7 | Commissioned Manuscript: William Suida | undated | ||||||||||
3073 | 8-9 | Correspondence (2 folders) | 1944-1950 | ||||||||||
3073 | 10-11 | Draft (2 folders) | undated | ||||||||||
3073 | 12 | Complimentary Copies of Publications | 1945 | ||||||||||
3073 | 13 | Copyright Applications | 1939 | ||||||||||
3073 | 14 | Estimates | 1939-1940 | ||||||||||
3073 | 15 | Inventories | 1951-1952 | ||||||||||
3073, 3074, 3075, 3076, 5041 | 16-17, 1-11, 1-12, 1-2, 6 | Orders (28 folders) | 1937-1951 | ||||||||||
Postcard Albums | |||||||||||||
3076 | 3 | Bauer, Rudolf | undated | ||||||||||
3076 | 4 | Kandinsky, Vasily | undated | ||||||||||
3076 | 5 | Proposed New Building | undated | ||||||||||
3076 | 6 | Rebay, Hilla | undated | ||||||||||
Proposals | |||||||||||||
3076 | 7 | General | 1942 | ||||||||||
3076 | 8 | Crosby, Roy Cowin | 1939 | ||||||||||
3076 | 9 | Publications for Sale: Price List | undated | ||||||||||
3076 | 10 | Replacement Lists | undated | ||||||||||
Reproduction Plates | |||||||||||||
3076 | 11-12 | Bids and Samples (2 folders) | 1946, 1951-1952 | ||||||||||
3076 | 13 | Inventory | 1951 | ||||||||||
3076 | 14 | Price Lists | undated | ||||||||||
3076, 3130 | 15, 1-5 | Progressive Proofs (6 folders) | undated | ||||||||||
3076, 3128 | 16-17, 3-5 | Study Prints (5 folders) | undated | ||||||||||
3076 | 18 | Sales Book | 1949-1950 | ||||||||||
Public Comments | |||||||||||||
3077, 3078 | 1-2, 1 | General (3 folders) | undated | ||||||||||
3078 | 2 | Albers, Josef | 1951 | ||||||||||
3078 | 3 | Bauer, Rudolf | undated, 1949-1951 | ||||||||||
3078 | 4 | Beckmann, Hans | 1951 | ||||||||||
3078 | 5 | Bolotowsky, Ilya | 1951 | ||||||||||
3078 | 6 | Books and Prints | 1945-1946 | ||||||||||
3078 | 7 | Cavael, Rolf | 1951 | ||||||||||
3078 | 8 | Colleges and Universities | undated | ||||||||||
3078 | 9 | Education and Influences on Children | undated, 1946-1948 | ||||||||||
3078 | 10 | Fine, Pearl | 1946 | ||||||||||
3078 | 11 | From Artists | undated, 1946-1948 | ||||||||||
3078 | 12 | German Translations | undated, 1946 | ||||||||||
3078 | 13 | Grant, Dwinell | 1947 | ||||||||||
3078 | 14 | Healing the Mind | undated, 1946-1948 | ||||||||||
3078 | 15 | Heartfelt Gratitude | 1946-1948 | ||||||||||
3078 | 16 | Hostess | 1945 | ||||||||||
3078 | 17 | Hunt, Vince | 1951 | ||||||||||
3078 | 18 | Improving Humanity | undated | ||||||||||
3078 | 19 | Jones, Philip | 1951 | ||||||||||
3078 | 20 | Kandinsky, Vasily | 1945-1951 | ||||||||||
3078 | 21 | Klein, Medard | 1946 | ||||||||||
3078 | 22 | Mattern, Alice | 1945-1946 | ||||||||||
3078 | 23 | Moholy-Nagy, László | 1945-1951 | ||||||||||
3078 | 24 | Müller-Kraus, Erich | 1951 | ||||||||||
3078 | 25 | Museum of Non-Objective Painting | undated, 1949 | ||||||||||
3078 | 26 | Music and Non-Objective Painting | 1947 | ||||||||||
3078 | 27 | Nebel, Otto | 1951 | ||||||||||
3078 | 28 | New Museum | undated | ||||||||||
3078 | 29 | Ney, Lloyd | 1951 | ||||||||||
3078 | 30 | Non-Objective Painting | 1948 | ||||||||||
3078 | 31 | Patecky, Albert | 1951 | ||||||||||
3078, 3079 | 32, 1 | Rebay, Hilla (2 folders) | undated, 1945-1947 | ||||||||||
3079 | 2 | Robertson, Thomas | 1945 | ||||||||||
3079 | 3 | Scarlett, Rolph | 1945-1951 | ||||||||||
3079 | 4 | Schatz, Zahare | 1951 | ||||||||||
3079 | 5 | Schwab, [unknown] | 1951 | ||||||||||
3079 | 6 | Stern, Lucia | 1951 | ||||||||||
3079 | 7 | Therapeutic Value | 1946-1948 | ||||||||||
3079 | 8 | Travelers | 1946 | ||||||||||
3079 | 9 | Utility | undated | ||||||||||
3079 | 10-16 | Visitors (7 folders) | undated, 1943-1947 | ||||||||||
3079 | 17 | Vordemberge-Gildewart, Friedrich | 1947 | ||||||||||
3079 | 18 | Xceron, Jean | 1945-1951 | ||||||||||
Publicity | |||||||||||||
Advertisements | |||||||||||||
271 | 12 | General | undated | ||||||||||
3081 | 1 | Mock-ups | undated, 1941-1944 | ||||||||||
3081 | 2 | New York Herald Tribune | 1943 | ||||||||||
3128 | 6 | Subway Poster | undated | ||||||||||
Articles on the Foundation | |||||||||||||
3081 | 3 | Correspondence | 1937-1938 | ||||||||||
5041 | 7 | Newspaper and Magazine Clippings | undated, 1938 | ||||||||||
Consultants | |||||||||||||
Charles Z. Offin Advertising | |||||||||||||
3081 | 4 | Correspondence | 1945-1949 | ||||||||||
3081 | 5 | Memoranda | 1949 | ||||||||||
Edson, E. I | |||||||||||||
3081 | 6-7 | Correspondence (2 folders) | 1939-1946 | ||||||||||
3081 | 8 | Expenses | 1939-1941 | ||||||||||
3081 | 9 | Engel & Engel: Correspondence | 1942 | ||||||||||
3081 | 10 | Ettlinger, Arthur K.: Correspondence | 1940 | ||||||||||
3081 | 11 | Helen Shelley Publicity: Correspondence | 1941 | ||||||||||
Hope Associates | |||||||||||||
3081 | 12-14 | Correspondence (3 folders) | 1945-1947 | ||||||||||
3081 | 15 | Report of Public Affairs | 1948 | ||||||||||
3081 | 16 | Richmond-Semtembre Exploitation Counsels: Correspondence | 1940 | ||||||||||
3081 | 17 | Roy S. Durstine, Inc. Advertising: Correspondence | 1947 | ||||||||||
3081 | 18 | Tom Fizdale, Inc.: Correspondence | 1941 | ||||||||||
3081 | 19 | Universal Public Relations, Inc.: Correspondence | 1946 | ||||||||||
Correspondence | |||||||||||||
3081 | 20 | General | 1943-1952 | ||||||||||
3081 | 21 | A. I. Friedman, Inc. | 1948 | ||||||||||
3081 | 22 | Airways Magazine | 1944 | ||||||||||
3081 | 23 | American Federation of Arts: Magazine of Art | 1949 | ||||||||||
3081 | 24 | American Women's Voluntary Service | 1943 | ||||||||||
3081 | 25 | Architectural Forum | 1946 | ||||||||||
3081 | 26 | Art Digest | 1948-1950 | ||||||||||
3081 | 27 | Art in America | 1944 | ||||||||||
3081 | 28 | Art in New York | 1939 | ||||||||||
3082 | 1 | Art News | 1939-1949 | ||||||||||
3082 | 2 | Artvue Post Card Company | 1945 | ||||||||||
3082 | 3 | Barnaby's LTD | 1945 | ||||||||||
3082 | 4 | Bergin and Nolan | 1944-1946 | ||||||||||
3082 | 5 | Bridgeport Telegram | 1945 | ||||||||||
3082 | 6 | Brooklyn Eagle | 1943 | ||||||||||
3082 | 7 | Burelle Clipping Service | 1944 | ||||||||||
3082 | 8 | Copy by Thomajam | 1941 | ||||||||||
3082 | 9 | Country Life and the Sportsman | 1937-1938 | ||||||||||
3082 | 10 | Cue Magazine | undated, 1949 | ||||||||||
3082 | 11 | Daily Telegram and Morning Post | 1945 | ||||||||||
3082 | 12 | Eastern Arts Association | 1944-1946 | ||||||||||
3082 | 13 | Evening Sun | 1945 | ||||||||||
3082 | 14 | Fairfield News | 1944 | ||||||||||
3082 | 15 | Fifth Avenue Coaches | 1941 | ||||||||||
3082 | 16 | France Forever | 1943 | ||||||||||
3082 | 17 | G & B Distributing Group | 1946 | ||||||||||
3082 | 18 | Gallery Magazine | undated | ||||||||||
3082 | 19 | Gardner Advertising | 1945 | ||||||||||
3082 | 20 | Hampshire House | 1942 | ||||||||||
3082 | 21 | Hagstrom Map Company | 1949 | ||||||||||
3082, 5041 | 22, 8 | Herald Tribute (2 folders) | 1943-1945 | ||||||||||
3082 | 23 | Iconograph Magazine | 1946 | ||||||||||
3082 | 24 | Interstate Broadcasting Company | 1940 | ||||||||||
3082 | 25 | J & K Trading Associates | 1947 | ||||||||||
3082 | 26 | Livingston, John H., Jr. | 1950 | ||||||||||
3082 | 27 | Mastai's Classified Directory | undated | ||||||||||
3082 | 28 | Museum Council of New York City: Exhibition Bulletin | 1948-1949 | ||||||||||
3082 | 29 | Museums Catalog | 1951 | ||||||||||
3082 | 30 | National Association of Women Artists | 1945 | ||||||||||
3082 | 31 | National Transitads | 1940-1941 | ||||||||||
3082 | 32 | New York Calendar | 1942, 1949 | ||||||||||
3082 | 33 | New York City Federation of Women's Clubs | 1945 | ||||||||||
3082 | 34 | New Yorker | 1941 | ||||||||||
3082 | 35 | New York Herald Tribune | 1945 | ||||||||||
3082 | 36 | New York Motor Coach Advertising | 1943-1947 | ||||||||||
3082 | 37 | New York Sun | 1944-1945 | ||||||||||
3082 | 38 | New York Times | 1932, 1941-1945 | ||||||||||
3082 | 39 | New York World Telegram | 1943, 1945 | ||||||||||
3082 | 40 | Parents' Magazine | 1948-1949 | ||||||||||
3082 | 41 | Pictures on Exhibit | 1940-1949 | ||||||||||
3082 | 42 | PM 5 Cents New York Daily | 1940 | ||||||||||
3082 | 43 | Postal Promotion Service | 1946 | ||||||||||
3082 | 44 | Promenade Magazine | 1949 | ||||||||||
3082 | 45 | Sciences Illustrated | 1946 | ||||||||||
3082 | 46 | Surface Transportation Advertising | 1946 | ||||||||||
3082 | 47 | The Town Crier | 1944-1945 | ||||||||||
3082 | 48 | The Westport Herald | 1944 | ||||||||||
3082 | 49 | White Publications | 1948 | ||||||||||
3082 | 50 | Who's Who | 1945-1946 | ||||||||||
3082 | 51 | WNYC | 1945 | ||||||||||
3082 | 52 | World Scope Encyclopedia | 1947 | ||||||||||
5041 | 9 | Women's International Exposition | 1945 | ||||||||||
Interviews: Rebay, Hilla | |||||||||||||
3082 | 53 | Voice of America | undated | ||||||||||
3082 | 54 | WBNX: Biosophical Institute Program | 1939 | ||||||||||
3082 | 55 | WHN: Adrienne Ames Program | 1945 | ||||||||||
3083 | 1 | WINS: Dorothy Day (2 folders) | 1947 | ||||||||||
3083 | 2 | WJZ: The Women's Program | 1946 | ||||||||||
3083 | 3 | WRUL: Art in America Program | 1948 | ||||||||||
3083 | 4-5 | Unknown Radio Station (2 folders) | undated, circa 1940 | ||||||||||
3083 | 6 | Listings: Exhibitions | 1951-1952 | ||||||||||
Mailing Lists | |||||||||||||
5041 | 10 | 1000 Art Interested Individuals | undated | ||||||||||
3083 | 7 | Advertising Agencies | undated | ||||||||||
5041 | 11 | Art Editors | 1940 | ||||||||||
5041 | 12 | Art Periodicals | undated | ||||||||||
3083 | 8 | Art Publications | undated | ||||||||||
3083 | 9a | Associate Members | 1938 | ||||||||||
5041 | 13 | Attendees of SC Johnson Dedication | undated | ||||||||||
3083 | 9b | Board of Directors New York Adult Education Council | undated | ||||||||||
3083 | 10-11 | Catalogue Recipients (2 folders) | undated, 1948-1949 | ||||||||||
3083 | 12 | Educational Institutions | undated | ||||||||||
3083 | 13 | Exhibition Notices Recipients | undated, 1949 | ||||||||||
3083 | 14 | High Schools of Brooklyn | undated | ||||||||||
3083 | 15 | Hostess Report Recipients | undated | ||||||||||
3083 | 16a | Institution Officials | undated | ||||||||||
3083 | 16b | Miscellaneous Universities and Institutions | undated | ||||||||||
3083 | 17 | Permanent | undated | ||||||||||
3083 | 18 | Press Release Recipients | 1949 | ||||||||||
3083 | 19 | State Teacher's College and University | undated | ||||||||||
3083 | 20 | Women's Clubs | undated | ||||||||||
3083 | 21 | Memoranda and Notes | undated, 1944-1950 | ||||||||||
3083 | 22-24 | Newspaper and Magazine Clippings (3 folders) | 1944, 1951-1952 | ||||||||||
Press Releases | |||||||||||||
3084, 5041 | 1, 14 | General (2 folders) | undated, 1939-1949 | ||||||||||
3084 | 2 | Resignation of Hilla Rebay: Drafts | 1952 | ||||||||||
3084 | 3 | Radio Broadcasts: Scripts | undated, 1943 | ||||||||||
Statements to the Press | |||||||||||||
3084, 5041 | 4, 15 | Rebay, Hilla (2 folders) | undated, 1942 | ||||||||||
3084 | 5 | Guggenheim, Solomon R. | undated, 1941 | ||||||||||
Travel | |||||||||||||
3084 | 6 | General | undated | ||||||||||
3084 | 7 | Arizona | 1952 | ||||||||||
3084 | 8-9 | Arizona and California (2 folders) | 1950-1951 | ||||||||||
3084, 5041 | 10 | Colorado (American Association of Museums Meeting) | 1950 | ||||||||||
3084 | 11-12, 16 | Europe (3 folders) | 1950-1951 | ||||||||||
3084 | 13 | Europe (International Council of Museums Conference) | 1950 | ||||||||||
3084 | 14 | Maryland (American Society for Aesthetics Annual Meeting) | 1947 | ||||||||||
3084 | 15 | Washington District of Columbus | 1951 | ||||||||||
3084 | 16 | Washington District of Columbus (American Association of Museums Meeting) | 1950 | ||||||||||
3084 | 17 | Wisconsin | 1951 | ||||||||||
3084 | 18 | World's Fair | undated, 1938 | ||||||||||
Writings | |||||||||||||
3084, 3085 | 19-20, 1-2 | General (4 folders) | undated, 1940, 1951 | ||||||||||
3085 | 3 | Apollinaire, Guillaume: Modern Painting | undated | ||||||||||
3085 | 4 | Ashmore, Jerome: Das Alte und Neue | 1951-1952 | ||||||||||
3085 | 5 | Bauer, Rudolf: 5: Translation of an Introduction to a Portfolio of Hilla Rebay | undated | ||||||||||
3085 | 6 | George, George L.: Kandinsky | undated | ||||||||||
3085 | 7 | Gleizes, Albert: The History of Art and the Value of Form | undated | ||||||||||
3085 | 8 | Grohman, Will et al.: Selection: Chronicle of the Artistic Life, X1V Wassily Kandinsky | 1933 | ||||||||||
3085 | 9 | Henle, Mary M.: Die Non-Objektive Kunst | undated | ||||||||||
Kandinsky, Vasily | |||||||||||||
3085 | 10 | Schematic Plan of Studies and Work of the Institute of Art Culture | undated | ||||||||||
3085 | 11 | Sounds | undated | ||||||||||
3085 | 12 | Text of an Artist | 1918 | ||||||||||
3085 | 13 | Malevich, Kazimir: Suprematism | 1919 | ||||||||||
Marc, Franz | |||||||||||||
3085 | 14 | The "Savages" of Germany | undated | ||||||||||
3085 | 15 | Spiritual Posession | undated | ||||||||||
3085 | 16 | Two Paintings | undated | ||||||||||
Rebay, Hilla | |||||||||||||
3085, 5041 | 17, 17 | 1: New Age (2 folders) | 1949-1950 | ||||||||||
5041 | 18 | 2: Una Nuova Era | undated | ||||||||||
3085 | 18 | 4: L'Age Nouveau | 1949 | ||||||||||
3085 | 19 | 4: Musik und Gegenstandslose Malerei in dem Neuen Museum | undated | ||||||||||
3085 | 20 | 6: [Kandinsky kam zur Gegenstandslosigkeit] | undated | ||||||||||
3085 | 21 | 8: Contemporaries | undated | ||||||||||
3085 | 22 | 8: Gegenstandslose Malerei | 1942 | ||||||||||
3085 | 23 | 9: Musik und Gegenstandslose Malerei | undated | ||||||||||
3085 | 24 | 10: The Rhyme of the Inbetween | undated | ||||||||||
3085 | 25 | 11: Innovation: Beauté de L'Inobjectivé | undated | ||||||||||
3085 | 26 | 12: Réalités | undated | ||||||||||
3085 | 27 | 15: Die absolute Malerei dient nicht der Repetition der irdischen Erscheinungen, und Sensationen, sondern den Geheimnisvollen Erfahrungen der Seele | undated | ||||||||||
3085 | 28 | 24: Realitaeten | undated | ||||||||||
3085 | 29 | 41: Zeitgenossen | undated | ||||||||||
3085 | 30 | 80: [Die Natur hat mich mit der aussergewohnlichen Gabe ausgestattet] | undated | ||||||||||
3085 | 31 | Afflatus | undated | ||||||||||
3085 | 32 | The All-Russian Convention on Art 1911 | 1945 | ||||||||||
3085 | 33 | America is the Country of Rhythm | 1943 | ||||||||||
3085 | 34 | [Apparent safety of intellect hinders enjoyment] | undated | ||||||||||
3085 | 35 | Art of Tomorrow | undated | ||||||||||
3085 | 36 | [The change which has taken place in the world] | undated | ||||||||||
3085 | 37 | [The development of objective painting to Non-Objective] | undated | ||||||||||
3085 | 38 | The downfall of object | undated | ||||||||||
3085 | 39 | Evolution | undated | ||||||||||
3085 | 40 | [Fenster und Türen haben feind] | undated | ||||||||||
3085 | 41 | [Fifty thousands of years ago the caveman knew how to reproduce] | undated | ||||||||||
3085 | 42 | For the Magazine Digest of Toronto | 1942 | ||||||||||
3085 | 43 | [Greatness is] | undated | ||||||||||
3085 | 44 | Great Non-Objective Masterpieces in the Solomon R. Guggenheim Foundation Collection (Country Life) | 1938 | ||||||||||
3085 | 45 | [Having been exceptionally endowed by nature] | 1949 | ||||||||||
3085 | 46 | The highest goal in life is art | undated | ||||||||||
3085 | 47 | [Historians of art hardly ever know what they are talking about] | 1940 | ||||||||||
3086 | 1 | [Hoffentlich wird es jetzt doch bald] | undated | ||||||||||
3086 | 2 | [If you want to know what art really is] | undated | ||||||||||
3086 | 3 | [The ignorant misconception in a cliché] | undated | ||||||||||
3086 | 4 | [In nature the weak is made to die] | 1944 | ||||||||||
3086 | 5 | [In painting as in music] | undated | ||||||||||
3086 | 6 | L'Inobjectivite-Domaine d l'Esprit | undated | ||||||||||
3086 | 7 | L'Inobjective Est le Domaine Spirituel | undated | ||||||||||
3086 | 8 | [In the nineteenth century objective painting had developed] | 1940 | ||||||||||
3086 | 9 | [It is beauty which humanity needs and wants] | undated | ||||||||||
3086 | 10 | [It seems to me an important reason why many people do not turn the radio on] | undated | ||||||||||
3086 | 11 | [Kandinsky the lyric] | undated | ||||||||||
3086 | 12 | Eine kurze Uebersicht von der Gegenstaendlichkeit bis zur Gegenstandslosigkeit in der Malerei | undated | ||||||||||
3086 | 13 | [Life is only worth living if we make it interesting] | undated | ||||||||||
3086 | 14 | [Life is really spirituality and not matter] | 1944 | ||||||||||
3086 | 15 | Mission Spirituelle de l'Inobjective | undated | ||||||||||
3086 | 16 | Music and Non-Objective Painting in the New Museum to be Built by Frank Lloyd Wright | undated | ||||||||||
3086 | 17 | [My father, as a German officer, used only our German title] | undated | ||||||||||
3086 | 18 | Neues Zeitalter | undated | ||||||||||
3086 | 19 | New Age | undated | ||||||||||
3086 | 20 | [The non-objective painter] | undated | ||||||||||
3086 | 21 | Non-Objective Painting | undated | ||||||||||
3086 | 22 | [A non-objective painting contains no objective reproductions] | undated | ||||||||||
3086 | 23 | Non-Objectivity | undated | ||||||||||
3086 | 24 | [Non-objectivity belongs to the essential research] | 1943 | ||||||||||
3086 | 25 | [Non-objectivity is a sensitive, yet intense, realization] | undated | ||||||||||
3086 | 26 | Non-Objectivity is the Realm of Spirit | undated | ||||||||||
3086 | 27 | [One can not expect painters to be good writers] | undated | ||||||||||
3085 | 28 | La Peinture Abstraite et Non Figurative | undated | ||||||||||
3086 | 29 | La Peinture Inobjective (Southern Messenger) | 1942 | ||||||||||
3085 | 30 | La Peinture Non-Objective | undated | ||||||||||
3085 | 31 | La Pintura No-Objetiva | undated | ||||||||||
3086 | 32 | Pioneer in Non-Objective Painting (Carnegie Magazine) | 1946 | ||||||||||
3086 | 33 | Le Pouvoir du Rythme Spirituel | undated | ||||||||||
3086 | 34 | The Power of Spiritual Rhythm | undated | ||||||||||
3086 | 35 | Puissance du Rythme Spiritual | 1939 | ||||||||||
3086 | 36 | Réalités Nouvelles | undated | ||||||||||
3086 | 37 | Realities | undated | ||||||||||
3086 | 38 | Le Realtà | undated | ||||||||||
3086 | 39 | [The reason why sculpture is not] | undated | ||||||||||
3086 | 40 | [Die schöne klare Verneinung die sich] | undated | ||||||||||
3086 | 41 | [The Solomon R. Guggenheim Foundation brings to the American public] | undated | ||||||||||
3086 | 42 | Sound | undated | ||||||||||
3086 | 43 | [The task of the teacher is sacred] | undated | ||||||||||
3086 | 44 | [These pictures are a new world] | undated | ||||||||||
3086 | 45 | [To live with the most perfect Mondrian] | undated | ||||||||||
3086 | 46 | La Valeur de l'Inobjectivite | undated | ||||||||||
3086 | 47 | La Vision de Kandinsky Etait la Plus Eternelle de Tous les Prophetes: Il ne Pouvait pas se Servir de Tradition | undated | ||||||||||
3086 | 48 | [Da waren die Dotterblumen, Anemonen | undated | ||||||||||
3086 | 49 | [Wenn Baden und Württemberg und Hohenzollern] | undated | ||||||||||
3086 | 50 | Der Wert des Ungegenständlichen | undated | ||||||||||
3086 | 51 | [When reverence fills the heart of the intellect] | 1943 | ||||||||||
3086 | 52 | Rebay, Roland: Frank Lloyd Wright at the Palazzo Strozzi | undated | ||||||||||
Ruffini, Elise | |||||||||||||
3086 | 53 | 6: [Hilla Rebay n'a certainement jamais redouté le sort] | undated | ||||||||||
3086 | 54 | 12: [Die jetzige Ausstellung der Aquarelle und Kollagen Hilla Rebay | undated | ||||||||||
3086 | 55 | Wright, Frank Lloyd: 9: La Musique et son Role au Musee de Peinture Non-Objective | undated | ||||||||||
Unattributed | |||||||||||||
3086 | 56 | 1: Neue Realitaten | 1948 | ||||||||||
3086 | 57 | 3: [Aus dem Vorwort der ersten Katalogs der Solomon R. Guggenheim Sammlung] | undated | ||||||||||
3086 | 58 | 5: [Comme peintre Hilla Rebay a passé par toutes les phases | undated | ||||||||||
3086 | 59 | 5: [Motto: Der Mensch unseres geistigen neuen Zeitalters | 1948 | ||||||||||
3086 | 60 | 7: [Der Deutschen Hoffnung ist die Geistigkeit] | undated | ||||||||||
3086 | 61 | 7: [Yes, the Inbetween always is non-objective divine] | undated | ||||||||||
3086 | 62 | 10: [Und warum ist die gegenstandslose Malerei nicht nur schon] | 1947 | ||||||||||
3086 | 63 | 11: [Aus dem Vorwort des Ersten Katalogs der Solomon R. Guggenheim Sammlung gegenstandsloser Malerei] | undated | ||||||||||
3086 | 64 | [President Hoover] | undated | ||||||||||
3086 | 65 | [Upon this great conception] | undated | ||||||||||
3086 | 66 | Vorwart zum 6. Katalog | undated |
Box | Folder | Title | Date | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
A. Personal | |||||||||||||
Correspondence | |||||||||||||
3088 | 1 | General | undated, 1937 | ||||||||||
3088 | 2 | Redslob, Edwin | 1931 | ||||||||||
Exhibitions | |||||||||||||
3088 | 3 | Musée de Jeu du Paume: Newspaper Article | undated | ||||||||||
3088 | 4 | Der Sturm: Newspaper Article | 1917 | ||||||||||
Das Gesitreich | |||||||||||||
5041 | 19 | Brochure | undated | ||||||||||
3088 | 5 | Magazine Article | 1932 | ||||||||||
3088 | 6 | Photographs | circa 1930-1937 | ||||||||||
3088 | 7 | Postcards | undated | ||||||||||
5041 | 20 | Poster | undated | ||||||||||
3088 | 8 | Publication | circa 1930 | ||||||||||
3088 | 9 | Horoscope | 1940 | ||||||||||
3088 | 10 | Portrait Photograph | undated | ||||||||||
Writings | |||||||||||||
3088 | 11 | General | undated | ||||||||||
3088 | 12 | About the Baroness | undated | ||||||||||
3088 | 13 | [Le moyen age heroique...] | undated | ||||||||||
3088 | 14 | On Honesty | 1942 | ||||||||||
3088 | 15 | On Humor in Comic Strips and Americans | 1942 | ||||||||||
3088 | 16 | On Influences | 1942 | ||||||||||
3088 | 17 | [On Rebay's Works] | undated | ||||||||||
3088 | 18 | The Realm of the Spirit | 1942 | ||||||||||
3088 | 19 | Weihe (Consecration) | undated | ||||||||||
B. Solomon R. Guggenheim Foundation Activities | |||||||||||||
3088, 5041 | 20-21, 21-22 | Acquisitions for the Solomon R. Guggenheim Foundation (4 folders) (restricted) | undated, 1930-1943 | ||||||||||
3088, 5041 | 22, 23 | Bauer Paintings (2 folders) (restricted) | 1938-1939, 1947 | ||||||||||
Bauer Trust | |||||||||||||
5041 | 24 | General (restricted) | 1950 | ||||||||||
3088, 5041 | 23, 25-26 | Estate (3 folders) (restricted) | 1954-1955 | ||||||||||
3088, 5042 | 24-25, 1 | Finance (3 folders) (restricted) | undated, 1939-1953 | ||||||||||
3088, 3089 | 26-27, 1-2 | Guaranty Trust Company of New York (4 folders) (restricted) | 1929-1954 | ||||||||||
3089 | 3 | Legal (restricted) | 1940-1944 | ||||||||||
3089 | 4 | Memoranda (restricted) | 1940-1955 | ||||||||||
Correspondence | |||||||||||||
3089 | 5-8 | General (4 folders) | undated, 1931-1947 | ||||||||||
3089 | 9 | Crosby, Roy | 1939, 1944 | ||||||||||
3089, 5042 | 10-16, 2-3 | Guggenheim, Solomon R. (9 folders) (restricted) | undated, 1929-1944 | ||||||||||
3089, 3090 | 17, 1 | Menken, Marie (2 folders) (restricted) | 1942-1943 | ||||||||||
3090, 5042 | 2-9, 4-6 | Rebay, Hilla (11 folders) (restricted) | undated, 1927-1944 | ||||||||||
3090 | 10 | Sennhauser, John | 1943 | ||||||||||
3090, 3091 | 11-12, 1 | Solomon R. Guggenheim Foundation (3 folders) (restricted) | 1943-1944 | ||||||||||
3091 | 2 | Thiele, Albert (restricted) | 1933-1942 | ||||||||||
3091 | 3 | Dogs | undated, 1937 | ||||||||||
3091 | 4 | Duesenberg Car Project | 1936-1943 | ||||||||||
Exhibitions | |||||||||||||
3091 | 5 | Labels | circa 1936-1939 | ||||||||||
Solomon R. Guggenheim Collection of Non-Objective Painting (#1-T) | |||||||||||||
3091 | 6 | Annotated Brochure | circa 1936 | ||||||||||
3091 | 7 | Newspaper Article | 1938 | ||||||||||
3091 | 8 | Solomon R. Guggenheim Collection of Non-Objective Painting (#5-T): Annotated Brochure | 1939 | ||||||||||
3091 | 9 | Traveling Exhibition Information: Bauer Paintings | 1942 | ||||||||||
3091, 5042 | 10, 7 | Finance (2 folders) (restricted) | 1934-1943 | ||||||||||
3091 | 11 | Furnishings (restricted) | undated, 1940 | ||||||||||
Legal | |||||||||||||
3091 | 12 | Correspondence (restricted) | 1938-1943 | ||||||||||
3091, 3092, 5042 | 13-19, 1, 8 | Huber versus Rebay (9 folders) (restricted) | 1942-1945 | ||||||||||
Immigration: Correspondence | |||||||||||||
3092, 5042 | 2, 9 | General (2 folders) | 1936-1942 | ||||||||||
3092 | 3 | Allisat, Herbert | 1938-1940 | ||||||||||
3092 | 4-5 | Rothschild, Henry (2 folders) | undated, 1941 | ||||||||||
3092 | 6 | Memoranda and Telegrams Regarding Bauer (restricted) | 1934-1939 | ||||||||||
3092 | 7 | Notes | undated | ||||||||||
3092 | 8 | Painting Supplies: Information | 1940-1941 | ||||||||||
Reports on Bauer | |||||||||||||
3092 | 9-10 | General (2 folders) (restricted) | undated, 1940-1943 | ||||||||||
3092 | 11 | Background Check | 1936-1937 | ||||||||||
3092 | 12 | Handwriting Analysis | 1939, 1944 | ||||||||||
3092 | 13 | Report to Trustees (restricted) | 1952 | ||||||||||
3092 | 14 | Release from Imprisonment | 1938 | ||||||||||
3092, 5042 | 15, 10 | Seized Property: Berlin Tax Authorities (2 folders) | 1933 | ||||||||||
3092 | 16 | Statement: Hilla Rebay's Loyalty | 1942 | ||||||||||
3092 | 17 | Visit to Charleston, South Carolina | 1936 | ||||||||||
3092 | 18 | World's Fair | 1938 |
Box | Folder | Title | Date | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
3092 | 19-22 | Condition and Treatment Reports (4 folders) (restricted) | undated, 1940-1951 | ||||||||||
Exhibitions | |||||||||||||
General | |||||||||||||
3092 | 23-24 | Guestbooks (2 folders) | 1940-1950 | ||||||||||
3092 | 25 | Numerical List of Exhibitions at the Museum of Non-Objective Painting | undated | ||||||||||
Traveling Loan Exhibitions (Reproduction Plates) | |||||||||||||
3092 | 26 | Announcements | 1944,1950 | ||||||||||
3092, 3093 | 27, 1 | Correspondence (2 folders) | 1936-1948 | ||||||||||
3093 | 2 | List of Requests | undated | ||||||||||
3093 | 3 | Research | 1937-1938 | ||||||||||
3093 | 4 | Schedule | 1938-1941 | ||||||||||
Unidentified | |||||||||||||
3093 | 5-6 | Checklists: Internal (2 folders) | undated, 1947 | ||||||||||
3093 | 7 | Installation | undated, 1939-1940 | ||||||||||
3093 | 8 | Wall Stencils | 1952 | ||||||||||
Alice Mattern Memorial (#46) | |||||||||||||
3093 | 9 | Catalogue | 1945 | ||||||||||
3093 | 10 | Insurance | 1945 | ||||||||||
3093 | 11 | American Non-Objective Painters (#25): Newspaper and Magazine Clippings | 1941 | ||||||||||
3093 | 12 | American Non-Objectives, Third Group Show Commemorating the Fifth Anniversary of the Solomon R. Guggenheim Foundation (#34): Press Release | 1943 | ||||||||||
Art of Tomorrow | |||||||||||||
3093 | 13 | Brochure | 1939 | ||||||||||
3093 | 14 | Entrance Tickets | 1939 | ||||||||||
3093 | 15 | Opening | 1939 | ||||||||||
3093 | 16 | Press Release Draft | 1939 | ||||||||||
3093 | 17 | Requests for Tickets | 1939 | ||||||||||
3093 | 18 | [Art of Tomorrow]: Newspaper and Magazine Clippings | 1942 | ||||||||||
Art of Tomorrow (#45-T) | |||||||||||||
3093 | 19 | Correspondence | 1945 | ||||||||||
3093 | 20 | Shipping (restricted) | 1945 | ||||||||||
Charles G. Shaw: Thirteen Recent Paintings (#9) | |||||||||||||
3093 | 21 | Exhibition Planning | 1940 | ||||||||||
3093 | 22 | Newspaper and Magazine Clippings | 1940 | ||||||||||
3093 | 23 | Price List | 1940 | ||||||||||
3093 | 24 | Press Release | 1940 | ||||||||||
3093 | 25 | Shipping (restricted) | 1940 | ||||||||||
Charles G. Shaw: Twenty-Six New Paintings (#17) | |||||||||||||
3093 | 26 | Price List | 1941 | ||||||||||
3093 | 27 | Press Release | 1941 | ||||||||||
3093 | 28 | Cinquième Salon des Réalités Nouvelles: Checklist: Internal | 1950 | ||||||||||
Eight American Non-Objective Painters (#8) | |||||||||||||
3093 | 29 | Checklist: Internal | 1940 | ||||||||||
3093 | 30 | Exhibition Planning | 1940 | ||||||||||
3093 | 31 | Newspaper and Magazine Clippings | 1940 | ||||||||||
3093 | 32 | Press Release | 1940 | ||||||||||
Evolution to Non-Objectivity (#75) | |||||||||||||
3093 | 33 | Announcement | 1952 | ||||||||||
Checklists | |||||||||||||
3093 | 34 | Internal | 1952 | ||||||||||
3093 | 35-36 | Published (2 folders) | 1952 | ||||||||||
3093 | 37 | Fifteen Non-Objective Paintings from the Solomon R. Guggenheim Collection (#19-T): Correspondence | 1941-1942 | ||||||||||
Fifth Anniversary Exhibition (#30) | |||||||||||||
3093 | 38 | Checklist: Internal | 1940 | ||||||||||
3093 | 39 | Event | 1940 | ||||||||||
3093 | 40 | Newspaper and Magazine Clippings | 1940 | ||||||||||
3093 | 41 | Press Release | 1940 | ||||||||||
Gegendstandlose Malerei in Amerika (Alternate Title: Deuxième Salon des Réalités Nouvelles) (#60-T) | |||||||||||||
3093 | 42 | Catalogue | 1948 | ||||||||||
3093 | 43 | Catalogue Information: Correspondence | 1947 | ||||||||||
3093 | 44 | Event: Photographs | 1947 | ||||||||||
3093 | 45 | Exhibition Planning | 1947-1948 | ||||||||||
3093 | 45b | Newspaper and Magazine Clippings | 1947 | ||||||||||
3093 | 46 | Press Release | 1948 | ||||||||||
3093 | 47-48 | Shipping (2 folders) (restricted) | 1947-1950 | ||||||||||
3093 | 49 | [Goethe's Doctrine of Color]: Correspondence | 1949 | ||||||||||
Hilla Rebay (#61) | |||||||||||||
3093 | 50 | Announcement | 1948 | ||||||||||
3093 | 51 | Catalogue | 1948-1949 | ||||||||||
3093 | 52 | Catalogue Information | 1948-1950 | ||||||||||
3093 | 53 | Checklists: Internal | circa 1948 | ||||||||||
3094 | 1 | Insurance | 1948 | ||||||||||
3094 | 2 | Mailing List | 1949 | ||||||||||
Kandinsky Memorial Exhibition (Alternate Title: In Memory of Wassily Kandinsky) (#43) | |||||||||||||
Catalogue Information | |||||||||||||
3094 | 3-5 | General (3 folders) | 1945-1949 | ||||||||||
3131 | 1-3 | Mock-ups (3 folders) | undated | ||||||||||
3094 | 6 | Checklist: Internal | 1943? | ||||||||||
3094 | 7 | Conservation (restricted) | 1945 | ||||||||||
Events | |||||||||||||
3094 | 8 | Invitation List | undated | ||||||||||
3094 | 9 | Preview Invitation | 1945 | ||||||||||
3094 | 10 | Exhibition Planning | 1945 | ||||||||||
3094 | 11 | Insurance | 1945 | ||||||||||
3094 | 12-14 | Loans (3 folders) (restricted) | 1945 | ||||||||||
3094 | 15 | Mailing List | 1945-1947 | ||||||||||
3094 | 16 | Shipping (restricted) | 1945 | ||||||||||
3094 | 17 | Loan Exhibition: Advertisement | undated | ||||||||||
3094 | 18 | Loan Exhibition (#30): Sales | 1946 | ||||||||||
3094 | 19 | Loan Exhibition (#36): Newspaper and Magazine Clippings | 1943 | ||||||||||
3094 | 20 | Loan Exhibition (#37): Catalogue Mockup | 1951 | ||||||||||
3094 | 21 | Loan Exhibition (#39): Advertisement | 1944 | ||||||||||
3094 | 22 | Loan Exhibition (#40): Announcement | 1944 | ||||||||||
3094 | 23 | Loan Exhibition (#44): Checklist: Internal | 1945 | ||||||||||
Loan Exhibition (#48) | |||||||||||||
3094 | 24 | Announcement Mockup | 1945 | ||||||||||
Correspondence | |||||||||||||
3094 | 25 | General | 1945 | ||||||||||
3094 | 26 | Stern, Lucia | 1945 | ||||||||||
3094 | 27 | Insurance | 1945 | ||||||||||
3094 | 28 | Loans (restricted) | 1945 | ||||||||||
3094 | 29 | Loan Exhibition (#51): Announcement | 1951 | ||||||||||
Loan Exhibition (#54) | |||||||||||||
3094 | 30 | Advertisement | 1946 | ||||||||||
3094 | 31 | Loans (restricted) | 1947 | ||||||||||
3094 | 32 | Loan Exhibition (#55): Checklist: Internal | 1946 | ||||||||||
Loan Exhibition (#59) | |||||||||||||
3094 | 33a | Artist Notification List | 1947 | ||||||||||
3094 | 33b | Correspondence: Veit, Richard | 1948 | ||||||||||
3094 | 34 | Loan Exhibition (#66): Announcement | 1950 | ||||||||||
Loan Exhibition (#67) | |||||||||||||
3094 | 35 | Loans (restricted) | 1950 | ||||||||||
3094 | 36 | Newspaper and Magazine Clippings | 1950 | ||||||||||
3094 | 37 | Loan Exhibition (#69): Checklist: Internal | 1950 | ||||||||||
Loan Exhibition (#73): Checklists | |||||||||||||
3094 | 38 | Internal | 1951 | ||||||||||
3094 | 39 | Published | 1951 | ||||||||||
3094 | 40 | [Loan Exhibition Suggested for Rollins Park, Florida] | undated | ||||||||||
3094 | 41 | Memorial Exhibition of Paintings by Wassily Kandinsky (#53-T): Catalogue | 1946 | ||||||||||
3094 | 42 | [Mezzanine]: Checklist: Internal | 1946 | ||||||||||
Mostra Fondazione R. Solomon Guggenheim [sic] (Alternate Title: Septième Salon des Réalités Nouvelles) (#77-T) | |||||||||||||
3094 | 43 | Memoranda | 1952 | ||||||||||
3094 | 44 | Newspaper and Magazine Clippings | 1953 | ||||||||||
3094 | 45 | New Exhibition, American Non-Objective Painters (#63): Insurance (restricted) | 1949 | ||||||||||
3094 | 46 | [Ninth Guest Exhibition]: Exhibition Planning | 1941 | ||||||||||
3094 | 47 | Non-Objective Paintings from the Solomon R. Guggenheim Foundation (#31-T): Correspondence | 1942 | ||||||||||
3094 | 48 | Paintings and Constructions by László Moholy-Nagy (#20): Announcement | 1941 | ||||||||||
3094 | 49 | Paintings by Rudolf Bauer from the Collection of Solomon R. Guggenheim (#2-T): Checklist: Internal | 1937 | ||||||||||
3094 | 50 | [Paintings Exhibited January 1948 - Removed May 30, 1949, Second Floor]: Checklist: Internal | 1948-1949 | ||||||||||
3094 | 51 | [Permanent Collection]: Wall Labels | undated | ||||||||||
3094 | 52 | [Permanent Collection and New Acquisitions]: Announcement | 1951 | ||||||||||
3094 | 53 | Quatrième Salon des Réalités Nouvelles | 1949 | ||||||||||
3094 | 54 | Réalités Nouvelles (#6-T): Shipping (restricted) | 1938 | ||||||||||
3094 | 55 | Selections from the Solomon R. Guggenheim Foundation (#41-T): Correspondence | 1944 | ||||||||||
Selections from the Solomon R. Guggenheim Foundation (#42-T) | |||||||||||||
3094 | 56 | Correspondence | 1944 | ||||||||||
3094 | 57 | Price List | 1945 | ||||||||||
3094 | 58 | Shipping (restricted) | 1945 | ||||||||||
Selections from the Solomon R. Guggenheim Foundation (#50-T) | |||||||||||||
3094 | 59 | Checklist: Internal | undated | ||||||||||
3094 | 60 | Correspondence | 1942, 1946 | ||||||||||
3094 | 61 | Selections from the Solomon R. Guggenheim Foundation (#68-T): Loans (restricted) | 1940 | ||||||||||
3094 | 62 | Selections from the Solomon R. Guggenheim Foundation (#72-T): Checklist: Internal | 1951 | ||||||||||
3094 | 63 | Seventeen Paintings from the Solomon R. Guggenheim Foundation (#51-T): Correspondence | 1946 | ||||||||||
3095 | 1 | Six American Non-Objective Painters (#12): Exhibition Planning | 1940 | ||||||||||
Solomon R. Guggenheim Collection of Non-Objective Painting (#1-T) | |||||||||||||
3095 | 2 | Catalogue Requests | 1936 | ||||||||||
3095 | 3 | Mailing List | undated | ||||||||||
Solomon R. Guggenheim Collection of Non-Objective Painting (#3-T) | |||||||||||||
3095 | 4 | Catalogue Information | 1937 | ||||||||||
3095 | 5 | Checklist: Internal | 1938 | ||||||||||
Solomon R. Guggenheim Collection of Non-Objective Painting (#4-T) | |||||||||||||
3095 | 6-7 | Catalogue Information (2 folders) | undated, 1938 | ||||||||||
3095 | 8 | Checklists: Internal | 1936-1938 | ||||||||||
3095 | 9-10 | Correspondence (2 folders) | 1936-1938 | ||||||||||
3095 | 11 | Events: Opening: Announcement | 1938 | ||||||||||
3095 | 12 | Press Release | 1938 | ||||||||||
Solomon R. Guggenheim Collection of Non-Objective Painting (#5-T) | |||||||||||||
3095 | 13 | Catalogue Information | 1938-1939 | ||||||||||
3095 | 14-15 | Correspondence (2 folders) | 1939 | ||||||||||
3095 | 16 | Finance | 1938-1939 | ||||||||||
3095 | 17 | Invitation | 1939 | ||||||||||
3095 | 18 | Photographs: Installation | 1939 | ||||||||||
3095 | 19 | Postcard | 1939 | ||||||||||
3095 | 20 | Research | 1936 | ||||||||||
Ten American Non-Objective Painters (#15) | |||||||||||||
3095 | 21 | Checklist: Internal | 1940 | ||||||||||
3095 | 22 | Exhibition Planning | 1940-1941 | ||||||||||
Tenth Anniversary Exhibition (#64) | |||||||||||||
3096 | 1 | Advertisement | 1949 | ||||||||||
3096 | 2 | Catalogue Information | 1949 | ||||||||||
3096 | 3 | Checklist: Internal | 1949 | ||||||||||
3096 | 4-5 | Exhibition Planning (2 folders) | 1949 | ||||||||||
3096 | 6 | Insurance (restricted) | 1949 | ||||||||||
3096 | 7 | Press Release | 1949 | ||||||||||
3096 | 8 | Thirteen Non-Objective Paintings from the Solomon R. Guggenheim Foundation (#21-T): Correspondence | 1941-1942 | ||||||||||
Thirty-Five Non-Objective Paintings from the Solomon R. Guggenheim Foundation (52-T) | |||||||||||||
3096 | 9 | Correspondence | 1946 | ||||||||||
3096 | 10 | Shipping (restricted) | 1945 | ||||||||||
Three American Non-Objective Painters (#7) | |||||||||||||
3096 | 11 | Checklist: Internal | 1940 | ||||||||||
3096 | 12 | Correspondence | 1939-1940 | ||||||||||
3096 | 13 | Exhibition Planning | 1939-1940 | ||||||||||
3096 | 14 | Insurance (restricted) | 1940 | ||||||||||
3096 | 15 | Loans (restricted) | 1939-1940 | ||||||||||
3096 | 16 | Newspaper and Magazine Clippings | 1939 | ||||||||||
3096 | 17 | Press Release | 1940 | ||||||||||
3096 | 18 | Requests for Tickets | 1940 | ||||||||||
Three American Non-Objective Painters (#11) | |||||||||||||
3096 | 19 | Checklist: Internal | 1940 | ||||||||||
3096 | 20 | Exhibition Planning | 1940 | ||||||||||
3096 | 21 | Press Release | 1940 | ||||||||||
Troisième Salon des Réalités Nouvelles | |||||||||||||
3096 | 22 | Catalogue Information: Correspondence | 1948 | ||||||||||
3096 | 23 | Checklist: Internal | 1948 | ||||||||||
3096 | 24 | Insurance | 1948-1949 | ||||||||||
Twelve American Non-Objective Painters (#10) | |||||||||||||
3096 | 25 | Checklist: Internal | 1940 | ||||||||||
3096 | 26 | Correspondence | 1940 | ||||||||||
3096 | 27 | Exhibition Planning | 1940 | ||||||||||
3096 | 28 | Insurance (restricted) | 1940 | ||||||||||
3096 | 29 | Newspaper and Magazine Clippings | 1940 | ||||||||||
3096 | 30 | Shipping (restricted) | 1940 | ||||||||||
Twelve American Non-Objective Painters (#13) | |||||||||||||
3096 | 31 | Checklist: Internal | 1940 | ||||||||||
3096 | 32 | Exhibition Planning | 1940 | ||||||||||
3096 | 33 | Twenty-Seven Non-Objective Paintings from the Solomon R. Guggenheim Foundation (24-T): Correspondence | 1941 | ||||||||||
3096 | 34 | Wassily Kandinsky Memorial Exhibition (#47-T): Insurance (restricted) | 1945 | ||||||||||
Wassily Kandinsky Memorial Exhibition (#49-T) | |||||||||||||
3096 | 35 | Correspondence | 1945 | ||||||||||
3096 | 36 | Insurance (restricted) | 1945 | ||||||||||
3096 | 37 | Newspaper and Magazine Clippings | 1946 | ||||||||||
3096 | 38-41 | Insurance (4 folders) (restricted) | 1938-1949 | ||||||||||
Inventories | |||||||||||||
3096 | 42-43 | General (2 folders) | undated, circa 1947 | ||||||||||
5042 | 11 | All Paintings Insured | 1940 | ||||||||||
3096 | 44 | Bauer, Rudolf | undated | ||||||||||
3096 | 45 | Complete List of Non-Objective Paintings | 1938 | ||||||||||
3096 | 46 | Kandinsky, Wassily | undated | ||||||||||
3096 | 47 | List of Drawings by Bauer at Carnegie Hall | undated | ||||||||||
3096 | 48 | List of Paintings in Arthur Jerome Eddy Collection Now Given to the Art Institute of Chicago (restricted) | undated | ||||||||||
3097 | 1 | [List of Works] | circa 1941 | ||||||||||
3097 | 2 | List of Works Exhibited | undated | ||||||||||
5042 | 12 | Lists of Paintings Owned by the Foundation | 1938-1951 | ||||||||||
3097 | 3 | Locations as of this Date | 1942 | ||||||||||
3097 | 4 | Non-Objective Paintings at Carnegie | 1938 | ||||||||||
3097 | 5 | Non-Objective Paintings at the Lodge | 1950 | ||||||||||
3097 | 6 | Non-Objective Paintings at the Plaza | 1938 | ||||||||||
3097 | 7 | Numbered Inventory of Works of Art | 1939 | ||||||||||
3097 | 8 | Paintings at Carnegie Hall | circa 1950 | ||||||||||
3097 | 9 | Paintings: Rebay Collection | 1944 | ||||||||||
3097 | 10 | Pictures Listed in Catalogue but Part of Rebay Collection | undated | ||||||||||
3097 | 11 | Rebay | undated | ||||||||||
3097 | 12 | Rebay Collection Pictures Sent to Charleston | 1938 | ||||||||||
3097 | 13 | Scarlett / Mattern | undated | ||||||||||
3097 | 14 | Solomon R. Guggenheim Collection: Apartment at Hotel Plaza | undated | ||||||||||
3097 | 15 | Solomon R. Guggenheim Collection: Baroness von Rebay Apartment | undated, 1936 | ||||||||||
3097 | 16 | Solomon R. Guggenheim Collection: Klee Material at the Plaza | undated | ||||||||||
3097 | 17 | Unidentified | 1936-1939 | ||||||||||
Loans | |||||||||||||
3097 | 18-20 | General (3 folders) (restricted) | 1946-1952 | ||||||||||
3097 | 21 | Addison Gallery of American Art (restricted) | 1941, 1947 | ||||||||||
3097 | 22 | Birmingham Museum of Art (restricted) | 1952 | ||||||||||
3097 | 23 | California Palace of the Legion of Honor (restricted) | 1945 | ||||||||||
3097 | 24 | College of Art Association (restricted) | 1937-1939 | ||||||||||
3097 | 25 | Five Old Masters (restricted) | undated | ||||||||||
3097 | 26 | Galerie Maeght, Paris (restricted) | 1949 | ||||||||||
3097, 5042 | 27-28, 13 | Golden Gate International Exhibition (3 folders) (2 restricted) | 1939 | ||||||||||
3097 | 29 | Grenoble (restricted) | 1949 | ||||||||||
3097 | 30 | Institute of Contemporary Art, Boston (restricted) | 1952 | ||||||||||
3097 | 31 | International Art Exhibit (restricted) | 1949 | ||||||||||
3097 | 32 | John Herron Museum (restricted) | 1946 | ||||||||||
3097 | 33 | The Society for Contemporary American Art (restricted) | 1950 | ||||||||||
3097 | 34 | Stuart Art Gallery (restricted) | 1946 | ||||||||||
3097 | 35 | Toledo Museum of Art (restricted) | 1938 | ||||||||||
Permanent Collection | |||||||||||||
3097, 3098, 5042 | 36-40, 1-5, 14-20 | Acquisitions (17 folders) (restricted) | undated, 1936-1951 | ||||||||||
3098 | 6 | Frames | 1941 | ||||||||||
3098, 773304 | 7-15, 1-190 | Photographs: Artwork (199 folders) | undated | ||||||||||
Reproduction Requests | |||||||||||||
3098 | 16-17 | General (2 folders) | 1949-1952 | ||||||||||
3098 | 18 | Film Receipts | 1942 | ||||||||||
3098 | 19-20 | Permissions (2 folders) | 1939-1952 | ||||||||||
3098, 5042 | 21-25, 21 | Slides (6 folders) | undated, 1941-1951 | ||||||||||
3098, 3099 | 26-28, 1-2, | Shipping (5 folders) (restricted) | 1938-1952 | ||||||||||
3099, 5042 | 3-4, 22-23 | Storage (4 folders) | 1941-1948 |
Box | Folder | Title | Date | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
3099 | 5 | Addresses | 1952-1960? | ||||||||||
3099 | 6 | American Abstract Artists: Art Raffle | 1940 | ||||||||||
3099 | 7 | Articles: Richter, Rolf: Ausstellungsbreif aus Mainz | 1962 | ||||||||||
Artwork | |||||||||||||
3099 | 8 | Allen, A: Sketches | undated | ||||||||||
Rebay, Hilla | |||||||||||||
3099 | 9 | Criticism of Exhibitions | undated | ||||||||||
3099 | 10 | Donation | 1948 | ||||||||||
Exhibitions | |||||||||||||
3099 | 11 | Florida Southern College: Art of Tomorrow | 1955 | ||||||||||
3099 | 12 | Galerie Carmine, Paris | 1929 | ||||||||||
3099 | 13 | Galleries of Marie Sterner, New York | 1927 | ||||||||||
3099 | 14 | Kingore Galleries, New York | 1928 | ||||||||||
3099 | 15 | Mainz on Rhine | 1962 | ||||||||||
3099 | 16 | Wildenstein & Co., New York | undated | ||||||||||
3099 | 17 | List of Museums that Own Work by Rebay | undated | ||||||||||
3099 | 18 | Newspaper and Magazine Clippings | 1935 | ||||||||||
3099 | 19 | Portfolio: Translation of Introduction | undated | ||||||||||
3099 | 20 | Postcard Reproductions | undated | ||||||||||
3099 | 21a | Remarks on the Triptych "3 Black Rings" | undated | ||||||||||
3099 | 21b | Reproductions for Publications | undated | ||||||||||
3099 | 22 | Sketches | undated | ||||||||||
3099 | 23 | Statement | undated | ||||||||||
3099 | 24a | Watercolor | 1962 | ||||||||||
3099 | 24b | ?smann, M.: Etching | undated | ||||||||||
3099 | 24c | Unidentified (Bauer, Rudolf?): Sketch | undated | ||||||||||
3099, 5043 | 25-31, 1 | Autobiographical Notes (8 folders) | undated, 1944, 1946, 1953-1960 | ||||||||||
Automobile License and Registration | |||||||||||||
3099 | 32 | Correspondence | 1933-1942 | ||||||||||
3099 | 33 | Identification Cards | 1939-1943 | ||||||||||
3099 | 34 | Biographies | undated, 1950 | ||||||||||
Christmas Cards | |||||||||||||
3100 | 1-11 | Mailing Lists (11 folders) | undated, 1944-1958 | ||||||||||
3100 | 12 | Unsent Cards | undated | ||||||||||
3100, 3101, 3102, 5043 | 13-29, 1-49, 1-36, 2 | Collective Letters 1-114 and Unnumbered (103 folders) | undated, 1947-1957 | ||||||||||
Correspondence: | |||||||||||||
3102 | 37 | Carter, Unidentified | undated | ||||||||||
3102 | 38 | Castle Stewart, Arthur Stuart, Earl | 1951-1952 | ||||||||||
3102 | 39 | Castle Stewart, Eleanor May | 1951 | ||||||||||
3102 | 40 | Koch, Dr. Unidentified | undated | ||||||||||
3102 | 41 | Lindsay, Unidentified | undated | ||||||||||
3102 | 42 | McNaab?, Unidentified | undated | ||||||||||
3103 | 1 | Plaut, Unidentified | undated | ||||||||||
3103 | 2 | Rebay, Gabriele von (Includes Drawings) | undated | ||||||||||
3103 | 3 | Rebay, Roland von | undated, 1958 | ||||||||||
3103 | 4 | Reitzenstein, Unidentified | 1952 | ||||||||||
3103 | 5 | Richter, Unidentified | undated | ||||||||||
3103 | 6 | Solomon R. Guggenheim Foundation Board of Trustees | 1953-1958? | ||||||||||
3103 | 7 | Sweeney, James Johnson | 1953-1958? | ||||||||||
3103 | 8 | Xceron, Jean | undated | ||||||||||
3103 | 9 | Unidentified, Constance and Evan? | 1938 | ||||||||||
3103, 3104, 5043 | 10-15, 1-4, 3 | Unidentified Drafts (11 folders) | 1951-1958? | ||||||||||
Finance | |||||||||||||
3104 | 5 | General | undated | ||||||||||
3104 | 6 | Bank Account Statement | 1961 | ||||||||||
3104 | 7-11 | Bills and Receipts (5 folders) | undated, 1936-1944, 1954 | ||||||||||
Book Orders | |||||||||||||
3105, 5043 | 1, 4 | General (2 folders) | 1941-1946 | ||||||||||
3105 | 2 | Wm. H. Williams and Company Publishers | 1941, 1948-1952 | ||||||||||
3105 | 3 | Charitable Contributions | undated, 1941, 1947, 1949-1952 | ||||||||||
3105 | 4-5 | Checkbook (2 folders) | 1944-1945 | ||||||||||
3105 | 6 | Gift Parcels | |||||||||||
5043 | 5 | Guaranty Trust Company of New York (Hilla von Rebay Trust) | 1951-1956 | ||||||||||
5043 | 6 | Investment Property: 894-904 Wintrop Street, Brooklyn, New York | 1941-1942 | ||||||||||
Ledger | |||||||||||||
3105 | 7 | General | 1945-1952 | ||||||||||
3105 | 8 | Checking Account | 1943-1944 1949-1952 | ||||||||||
3105 | 9-10 | Magazine Subscriptions (2 folders) | 1939-1944, 1949-1950 | ||||||||||
3105 | 11 | The National City Bank of New York | 1938-1944 | ||||||||||
5043 | 7 | Securities | 1961 | ||||||||||
Taxes | |||||||||||||
3105 | 12 | Franton Court | 1942-1945 | ||||||||||
3105 | 13 | Income | 1944-1945 | ||||||||||
3105 | 14 | Old Age Assistance | 1939 | ||||||||||
3015 | 15 | Personnel (restricted) | 1957-1958 | ||||||||||
3105 | 16 | Sunlife | 1948-1951 | ||||||||||
3105 | 17 | The Westport Bank and Trust Company | 1944, 1958 | ||||||||||
3105 | 18 | Hilla Rebay Museum Temple of Non-Objective Painting at Florida Southern College (Proposed) | undated | ||||||||||
5043 | 8 | Horoscopes | undated | ||||||||||
Household | |||||||||||||
3105 | 19 | Brochures | undated, 1945 | ||||||||||
3105 | 20 | Recipes Book | undated | ||||||||||
3105 | 21 | Silverware and Dishes | undated | ||||||||||
Immigration and Nationalization | |||||||||||||
3105 | 22 | General | undated, 1939-1945 | ||||||||||
Correspondence | |||||||||||||
Department of Justice | |||||||||||||
3105 | 23 | Immigration and Naturalization Services | 1943 | ||||||||||
3105 | 24 | US Attorney Bulter | 1943-1944 | ||||||||||
3105 | 25 | Federal Bureau of Investigation (FBI) | 1943-1944 | ||||||||||
3105 | 26 | Rublee, George (restricted) | 1943-1944 | ||||||||||
Enemy Alien | |||||||||||||
3105 | 27 | Change of Address or Employment | undated, 1942 | ||||||||||
3105 | 28 | Hearing Board for the State of Connecticut | 1942 | ||||||||||
3105 | 29 | Parole Reports | 1943 | ||||||||||
5043 | 9 | Permissions for Travel | 1943-1943 | ||||||||||
Insurance | |||||||||||||
3106, 5043 | 1, 10 | AEtna Insurance Company (2 folders) | 1938-1967 | ||||||||||
3106 | 2 | Albert R. Lee and Company, Incorporated | 1938-1952 | ||||||||||
3106 | 3 | American Associated Insurance Companies | 1947 | ||||||||||
3106, 5043 | 4, 11 | American Automobile Insurance Company (2 folders) | 1942-1950 | ||||||||||
3106, 5043 | 5, 12 | Atlantic Mutual Insurance Company (2 folders) | 1940, 1955-1967 | ||||||||||
3106 | 6 | Automobile Club of New York (AAA) | 1939-1941 | ||||||||||
3106 | 7 | Automobile Insurance Company of Hartford, Connecticut | undated | ||||||||||
3106 | 8-9 | Chubb and Sons, Managers (2 folders) | 1939-1942 | ||||||||||
3106 | 10 | Great American Insurance | 1962-1967 | ||||||||||
3106 | 11 | Grille and Company, Incorporated | 1955-1967 | ||||||||||
3106 | 12 | National Benefit Life | 1960 | ||||||||||
5043 | 13 | Maryland Casualty Company | 1947-1951 | ||||||||||
3106 | 13 | Massachusetts Bonding and Insurance Company | 1955 | ||||||||||
3106 | 14 | Merchant Mutual Casualty Company | 1939-1940 | ||||||||||
3106 | 15 | Norwalk Agency, Incorporated | 1941 | ||||||||||
3106 | 16-20 | Notari and Dunaway Incorporated (Includes Insurance Record Photographs of Franton Court) (5 folders) | undated, 1939-1954 | ||||||||||
3107 | 1 | Royal Indemnity Company | 1943-1948 | ||||||||||
5043 | 14 | Saint Paul Fire and Marine Insurance Company | 1946-1952 | ||||||||||
3107 | 2 | Samuel Metzger and T. Ruggles Brooks | 1938-1941 | ||||||||||
5043 | 15 | Sun Insurance Office | 1962-1965 | ||||||||||
3107 | 3 | Vander Poel, Francis and Company, Incorporated | 1939-1940 | ||||||||||
Lists | |||||||||||||
3107 | 4 | Books on Art: Library of Baroness Rebay | 1941 | ||||||||||
3107 | 5 | Items Belonging to Miss Hilla v. Rebay | circa 1948 | ||||||||||
3107 | 5b | Painting Titles | undated | ||||||||||
3107 | 5c | Unidentified | undated | ||||||||||
3107 | 6 | Legal: Rebay vs. Guggenheim Foundation: Statement Drafts | undated | ||||||||||
Medical | |||||||||||||
3107 | 7 | General | undated | ||||||||||
3107 | 8 | Bills and Receipts | 1942-1951, 1957 | ||||||||||
3107 | 9 | Burrow, Trigant, Dr.: Article: The Human Equation | 1941 | ||||||||||
3107 | 10 | Henzerling, H.L.: Article: Neue Behandlung der Epilepsie | undated | ||||||||||
3107 | 11 | Hopkins, R., Dr.: Correspondence | 1940 | ||||||||||
Meyer, Otto, Dr. | |||||||||||||
Articles | |||||||||||||
3107 | 12 | Congestion of the Head | undated | ||||||||||
3107 | 13 | Focal Infection and Essential Hypertension | 1942 | ||||||||||
3107 | 14 | A New Conception About the Cause and Cure of Encephalitis Lethargia | undated | ||||||||||
3107 | 15 | Phlebitis and Burns | 1945 | ||||||||||
3107 | 16 | What Causes High Blood Pressure? | undated | ||||||||||
3107 | 17 | Correspondence | 1940-1945, 1949 | ||||||||||
3107 | 18 | Phone Number | circa 1942 | ||||||||||
3107 | 19 | Nastasia, James E., Dr.: Correspondence | 1943-1944 | ||||||||||
3107 | 20 | Newspaper and Magazine Articles | undated | ||||||||||
Prescriptions | |||||||||||||
3107 | 21 | General (restricted) | 1940-1949 | ||||||||||
3107 | 22 | Eyeglasses (Includes Lens) (restricted) | undated, 1935 | ||||||||||
X-Rays | |||||||||||||
3107 | 23 | General | |||||||||||
3107 | 24 | Skull (restricted) | 1944 | ||||||||||
3107 | 25 | Teeth (restricted) | 1944 | ||||||||||
Memberships | |||||||||||||
3107 | 26 | General | 1942 | ||||||||||
5043 | 16 | Conservation Organizations | 1950-1964 | ||||||||||
3107 | 27 | Dues | 1949-1950 | ||||||||||
3107 | 28 | Identification Cards | 1947-1967 | ||||||||||
3107, 3108, 3109, 5043 | 29-34, 1-9, 1-3, 17-26 | Museum Business (28 folders) (11 restricted) | undated, 1937-1962 | ||||||||||
3109 | 4 | Newspaper and Magazine Clippings | undated, 1943 | ||||||||||
3109, 5044, 271 | 5-12, 1, 13 | Notes and Drafts (10 folders) (1 restricted) | undated, 1953-1958? | ||||||||||
3109 | 13 | Notes for Radio Broadcast | 1953-1958? | ||||||||||
3109 | 14 | Notice of Shipment (restricted) | 1967 | ||||||||||
Personal Care | |||||||||||||
3109 | 15 | Beauty | undated | ||||||||||
3109 | 16-17 | Fashion (2 folders) | undated, 1942-1944 | ||||||||||
3109 | 18 | Pets | 1944 | ||||||||||
Photographs | |||||||||||||
3110 | 1 | Au Revs? Hoffen Fur Shop Entrance | undated | ||||||||||
3110 | 2 | Dance School Performance | undated | ||||||||||
3110 | 3 | Firenze (Reproduction) | undated | ||||||||||
3110 | 4 | Japan | undated | ||||||||||
3110 | 5 | Osbern | 1949 | ||||||||||
3110 | 6 | Paul Klee's House (Architectural Drawing Reproduction) | undated | ||||||||||
3110 | 7-9 | Rebay, Hilla (3 folders) | undated, 1930, 1956 | ||||||||||
3110 | 10 | Unidentified (negatives) | undated | ||||||||||
3110 | 11 | Postcards (Blank) | undated, 1960 | ||||||||||
3110 | 12 | Pressed Dried Plant | undated | ||||||||||
Residences | |||||||||||||
Franton Court (Westport, Connecticut) | |||||||||||||
3110 | 13 | Address Book and List of Keys | undated | ||||||||||
3110, 5044 | 14-19, 2 | Alterations and Renovations (7 folders) | undated, 1937-1947 | ||||||||||
3110 | 20 | Correspondence | 1944 | ||||||||||
3110 | 21 | Delivery List | 1942 | ||||||||||
3110 | 22 | Finance | 1939-1942 | ||||||||||
3110 | 23 | Furnishings | 1937-1941 | ||||||||||
3110, 3111, 5044 | 24-26, 1-4, 3 | Garden and Landscape (8 folders) | 1938-1966 | ||||||||||
3111 | 5 | Library: List of Books, Catalogues, and Magazines on Art | 1941 | ||||||||||
3111 | 6 | Map: Published | 1950 | ||||||||||
3111 | 7 | Personnel | undated | ||||||||||
3111 | 8 | Photographs | undated | ||||||||||
271, 3132 | 14, 2 | Sketches and Floor Plans (2 folders) | undated, 1939 | ||||||||||
Sunlife (Jefferson, New Hampshire) | |||||||||||||
3111 | 9 | Address Book | undated | ||||||||||
3111 | 10 | Alterations and Renovations | 1947-1948 | ||||||||||
3111 | 11 | Correspondence: Ayling, Louis and Walter (Caretakers) | 1950-1954 | ||||||||||
3111 | 12 | Furnishings | undated, 1947-1948 | ||||||||||
3111 | 13 | Garden and Landscape | 1949-1954 | ||||||||||
Map | |||||||||||||
3111 | 14 | Correspondence | 1950 | ||||||||||
3111 | 15 | Hand Drawn | undated | ||||||||||
3111 | 16 | Original Copy and Corrections | 1950 | ||||||||||
3111 | 17 | Published | 1950 | ||||||||||
3111 | 18 | Office Supplies: Inventory | 1947 | ||||||||||
3112 | 1 | Stamps | undated | ||||||||||
Statements | |||||||||||||
3112 | 2 | By Miss Rebay for Her Personal Use | 1951 | ||||||||||
3112 | 3 | On Resignation | undated | ||||||||||
3112 | 4 | Thanksgiving Dinner Invitation List | undated | ||||||||||
3112 | 5 | Toy Shops: Addresses | 1944 | ||||||||||
Travel | |||||||||||||
3112 | 6 | Notes | undated | ||||||||||
Passports | |||||||||||||
3112 | 7 | Germany | 1925-1935 | ||||||||||
3112 | 8 | United States of America | 1948-1964 | ||||||||||
3112, 5044 | 9-18, 4-6 | Trips (13 folders) | 1947-1962 | ||||||||||
3112 | 19 | War Bonds | undated |
Box | Folder | Title | Date | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist Biographies | |||||||||||||
3112 | 20 | Bauer, Rudolf | undated | ||||||||||
3112 | 21 | Beckmann, Hannes | undated | ||||||||||
3112 | 22 | Bertoia, Harry | undated | ||||||||||
3112 | 23 | Biel, Eugen V. | undated | ||||||||||
3112 | 24 | Bolotowsky, Ilya | undated | ||||||||||
3112 | 25 | Bonnard, Pierre | undated | ||||||||||
3112 | 26 | Burliuk, David | undated | ||||||||||
3112 | 27 | Campendonk, Heinrich | undated | ||||||||||
3112 | 28 | Cezanne, Paul | undated | ||||||||||
3112 | 29 | Chagall, Marc | undated | ||||||||||
3112 | 30 | Coale, Donald | undated | ||||||||||
3112 | 31 | Coeffin, Josette | undated | ||||||||||
3112 | 32 | Delacroix, Eugene | undated | ||||||||||
3112 | 33 | Delaunay, Robert | undated | ||||||||||
3112 | 34 | der Hohannesian, Garabed | undated | ||||||||||
3112 | 35 | Domela-Nieuwenhuis, Cesar | undated | ||||||||||
3112 | 36 | Drewes, Werner | undated | ||||||||||
3112 | 37 | Edwards, Emmet | undated | ||||||||||
3112 | 38 | Feininger, Lyonel | undated | ||||||||||
3112 | 39 | Ferren, John | undated | ||||||||||
3112 | 40 | Fine, Perle | undated | ||||||||||
3112 | 41 | Franklin, George | undated | ||||||||||
3112 | 42 | Gauguin, Paul | undated | ||||||||||
3112 | 43 | Gleizes, Albert | undated | ||||||||||
3112 | 44 | Gris, Juan | undated | ||||||||||
3112 | 45 | Grossman, Noah | undated | ||||||||||
3112 | 46 | Hohenberg, Marguerite Kurtz | undated | ||||||||||
3112 | 47 | Kandinsky, Vasily | 1944-1946 | ||||||||||
3112 | 48 | Kerns, Maude Irvine | undated | ||||||||||
3112 | 49 | Klee, Paul | undated | ||||||||||
3112 | 50 | Klein, Medard P. | undated | ||||||||||
3112 | 51 | Lassaw, Ibram | undated | ||||||||||
3112 | 52 | Léger, Fernand | undated | ||||||||||
3112 | 53 | Lewis, Samuel Reichmann | undated | ||||||||||
3112 | 54 | Marc, Franz | undated | ||||||||||
3112 | 55 | Mason, Alice T. | undated | ||||||||||
3112 | 56 | Mattern, Alice Louise | undated | ||||||||||
3112 | 57 | Metzinger, Jean | undated | ||||||||||
3112 | 58 | Mitchell, Wallace | undated | ||||||||||
3112 | 59 | Modigliani, Amedeo | undated | ||||||||||
3112 | 60 | Moholy-Nagy, László | undated | ||||||||||
3112 | 61 | Nebel, Otto | undated | ||||||||||
3112 | 62 | Neumann, J. B. | undated | ||||||||||
3112 | 63 | Ney, Lloyd R. | undated | ||||||||||
3112 | 64 | Nicholson, Ben | undated | ||||||||||
3112 | 65 | Papazoff | undated | ||||||||||
3112 | 66 | Peterson, Vilhelm Bjerke | undated | ||||||||||
3112 | 67 | Picasso, Pablo | undated | ||||||||||
3112 | 68 | Rebay, Hilla | undated | ||||||||||
3112 | 69 | Rousseau, Henri | undated | ||||||||||
3112 | 70 | Scarlett, Rolph | undated | ||||||||||
3112 | 71 | Schwab, Wladimir | undated | ||||||||||
3112 | 72 | Seurat, Georges-Pierre | undated | ||||||||||
3112 | 73 | Silva, Helena Vieira da | undated | ||||||||||
3112 | 74 | Smith, Charles | undated | ||||||||||
3113 | 1 | Valmier, Georges | undated | ||||||||||
3113 | 2 | Vordemberge-Gildewart, Friedrich | undated | ||||||||||
3113 | 3 | Vuillard, Edouard | undated | ||||||||||
3113 | 4 | Wadsworth, Edward | undated | ||||||||||
3113 | 5 | Wicht, John von | undated | ||||||||||
3113 | 6 | Wolff, Robert J. | undated | ||||||||||
3113 | 7 | Xceron, Jean | undated | ||||||||||
Subject Files | |||||||||||||
3113, 3128 | 8-12, 7 | General: Newspaper and Magazine Clippings (6 folders) | undated, 1935-1966 | ||||||||||
3114 | 1 | Advertisements | 1951-1966 | ||||||||||
3114 | 2 | Advice Column | undated | ||||||||||
3144 | 3 | African Americans | 1954-1959 | ||||||||||
3114 | 4 | Alexander, Henry | 1959 | ||||||||||
3114 | 5 | America | undated, 1937-1950 | ||||||||||
3114 | 6 | American Art Association Anderson Galleries | undated | ||||||||||
3114 | 7 | American Artist | 1942 | ||||||||||
3114 | 8 | American Association of Museums (AAM) | 1956 | ||||||||||
3114 | 9 | American Federation of Arts (AFA) | 1947 | ||||||||||
3114, 5044 | 10, 7 | American Society for Aesthetics (2 folders) | undated, 1943-1954 | ||||||||||
3114 | 11 | Amsterdam Art Critics Congress | undated | ||||||||||
3114 | 12 | Animals | undated, 1941-1965 | ||||||||||
3114 | 13 | Anthony, John J. | 1949 | ||||||||||
3114 | 14 | Architecture | undated, 1945-1959 | ||||||||||
3114 | 15 | Armory Show Recreated | undated | ||||||||||
3114 | 16 | Arte Contemporea | 1949 | ||||||||||
3114 | 17 | Art Fair | 1948 | ||||||||||
3114 | 18 | Art Gallery Monthly Guide | 1947 | ||||||||||
3114 | 19 | Artists Equity Association | 1950 | ||||||||||
3114 | 20 | Art Lectures | 1944-1959 | ||||||||||
3114 | 21 | Atomic Energy Commission | 1951 | ||||||||||
3114 | 22 | Bacon, Peggy | undated | ||||||||||
3114 | 23 | Ball State Teachers College | 1959 | ||||||||||
3114 | 24 | Balsan, Madam Jacques (Consuelo Vanderbilt) | 1953 | ||||||||||
3114 | 25 | Bauer, Rudolf | 1939, 1946 | ||||||||||
3114, 5044 | 26, 8 | Beckmann, Max (2 folders) | undated | ||||||||||
3114 | 27 | Berenson, Bernard | 1949-1955 | ||||||||||
3114 | 28 | Bernhardt, Sarah | 1942 | ||||||||||
5044 | 9 | Biennale di Venezia | 1950-1952 | ||||||||||
3114 | 29 | Blackburn, Morris | 1948 | ||||||||||
3114 | 30 | Blume, Peter | 1943 | ||||||||||
3114 | 31 | Boats | 1949-1965 | ||||||||||
3114 | 32 | Bonnard, Pierre | 1946-1948 | ||||||||||
3114 | 33 | Books | undated, 1937-1959 | ||||||||||
3114 | 34 | Borg, Z.S. | undated | ||||||||||
3114 | 35 | Boston: Institute of Contemporary Art | 1949 | ||||||||||
3114 | 36 | Bowen, Elizabeth | undated | ||||||||||
3114 | 37 | Boynton, James | 1959 | ||||||||||
3114 | 38 | Boys Town | undated, 1942 | ||||||||||
3115 | 1 | Brancusi, Constantin | 1955-1958 | ||||||||||
3115 | 2 | Bratby, John | 1956, 1959 | ||||||||||
3115 | 3 | Brenner's Park Hotel, Baden-Baden | 1961 | ||||||||||
3115 | 4 | Brooke, Dorothy | undated | ||||||||||
3115 | 5 | Brooklyn Museum | 1949 | ||||||||||
3115 | 6 | Browne, Byron | 1943, 1946 | ||||||||||
3115 | 7 | Brown Motto | undated | ||||||||||
3115 | 8 | Buchholz Gallery | 1945 | ||||||||||
3115 | 9 | Buck, Pearl S. | 1957 | ||||||||||
3115 | 10 | Button, Paul | 1945 | ||||||||||
3115 | 11 | Cagli, Corrado | 1948 | ||||||||||
3115 | 12 | Carnegie Institute | 1952 | ||||||||||
3115 | 13 | Casals, Pablo | undated | ||||||||||
5044 | 10 | Chagall, Marc | undated, 1958-1959 | ||||||||||
3115 | 14 | Channing, Carol | undated | ||||||||||
3115 | 15 | Chaplin, Charles | undated | ||||||||||
3115 | 16 | Charities | undated, 1944-1963 | ||||||||||
3115 | 17 | Churchill, Winston | 1953-1965 | ||||||||||
3115 | 18 | Civil Rights | 1964-1966 | ||||||||||
3115 | 19 | The Clown (Grock) | 1924 | ||||||||||
3115 | 20-21 | Cold War and McCarthyism (2 folders) | undated, 1948-1966 | ||||||||||
3115 | 22 | College Art Association of America | undated, 1942 | ||||||||||
5044 | 11 | Committee for the Preservation of Austrian Art and Culture in the United States of America | undated | ||||||||||
3115 | 23 | Conn, Russell J. | 1949 | ||||||||||
3115 | 24 | Corcoran Biennial Nierendorf Gallery | 1943 | ||||||||||
3115 | 25 | Coward, Noël | undated | ||||||||||
5044 | 12 | Cuba: Visa Information | 1941 | ||||||||||
3115 | 26 | Daniel Guggenheim Foundation | 1945-1952 | ||||||||||
3115 | 27 | Dealers and Experts | undated, 1958-1962 | ||||||||||
3115 | 28 | Declaration of the Federation of the World | 1941-1942 | ||||||||||
3115 | 29 | Degas, Edgar | undated | ||||||||||
3115 | 30 | De Havilland, Olivia | undated | ||||||||||
3115 | 31 | Delauney, Robert | 1954-1957 | ||||||||||
3115 | 32 | Derivation and Form | 1950 | ||||||||||
3115 | 33 | De Rivera, José | undated | ||||||||||
3115 | 34 | Design | undated, 1948 | ||||||||||
3115 | 35 | Dietrich, Marlene | undated | ||||||||||
3115 | 36 | Dionne Quintuplets | 1935-1937 | ||||||||||
3115 | 37 | Dominguin, Luis Miguel | undated | ||||||||||
3115 | 38 | Dove, Arthur | 1943, 1949 | ||||||||||
3115 | 39 | Dreier, Katherine | 1941 | ||||||||||
3115 | 40 | Duchamp, Marcel; Villon, Jacques; and Duchamp-Villon, Raymond | 1936, 1957 | ||||||||||
3115 | 41 | Dulles, Eleanor Lansing | 1959 | ||||||||||
3115 | 42 | Dunham, Katherine | undated | ||||||||||
3115 | 43 | Eastern Arts Association | 1945 | ||||||||||
3115 | 44 | Eby, Adelaide | 1948 | ||||||||||
3115 | 45 | Education | 1935-1958 | ||||||||||
3115 | 46 | Ehemals Staatlichen Museen-Berlin | undated | ||||||||||
3115 | 47 | Einstein, Albert | undated | ||||||||||
3115 | 48 | Enters, Angna | 1952 | ||||||||||
3115 | 49 | Ernst, Jimmy | 1948 | ||||||||||
3115 | 50 | European Aid | 1947 | ||||||||||
3116 | 1-8 | Exhibitions (8 folders) | undated, 1929-1962 | ||||||||||
3116 | 9 | Faini, Maria Luisa | 1954 | ||||||||||
3116 | 10 | Farish, Joan R. | undated | ||||||||||
3116 | 11 | Feitelson, Lorser | 1952 | ||||||||||
3116 | 12 | Fischer, Max | undated | ||||||||||
3116 | 13 | Food and Recipes | undated, 1941-1966 | ||||||||||
3116 | 14 | Ford, Henry | undated | ||||||||||
3116 | 15 | Ford, Henry, II | 1965 | ||||||||||
3116 | 16 | Forster, Cornelia | undated | ||||||||||
3116 | 17 | France | 1949 | ||||||||||
3117 | 1 | Franklin, Sidney | undated | ||||||||||
3117 | 2 | Funeral Price Fixing | 1967 | ||||||||||
3117 | 3 | Gallatin, A. E. | 1943, 1952 | ||||||||||
3117 | 4 | Galleries | 1942-1958 | ||||||||||
3117 | 5 | Garbo, Greta | undated | ||||||||||
3117 | 6 | Gardens, Plants | undated, 1943-1959 | ||||||||||
3117 | 7 | Gauguin, Paul | 1950, 1959 | ||||||||||
3117 | 8 | Geiger, Willi | undated | ||||||||||
3117 | 9 | Genauer, Emily | 1951-1952 | ||||||||||
3117 | 10 | General Federation Clubwoman | 1946 | ||||||||||
3117 | 11 | Genn, Nancy | undated | ||||||||||
3117 | 12 | German Art Exhibitions | 1948 | ||||||||||
3117 | 13 | German Museums | 1939 | ||||||||||
5044 | 13 | Germany | 1924, 1938 | ||||||||||
3117 | 14 | Giacometti, Alberto | 1955 | ||||||||||
3117 | 15 | Giessler, Rupert | 1948 | ||||||||||
3117 | 16 | Goodwin, W.A.R., Rev. | 1941 | ||||||||||
3117 | 17 | Gotham Book Mart | undated | ||||||||||
3117 | 18 | Grassi, Ernesto | 1952 | ||||||||||
3117 | 19 | Grosz, George | undated | ||||||||||
3117 | 20 | Guggenheim, Solomon R. | 1935-1959 | ||||||||||
3117 | 21 | Guy, James | 1948 | ||||||||||
3117 | 22 | Hajdu, Ettienne | 1958 | ||||||||||
5044 | 14 | Harper's Weekly | 1882 | ||||||||||
3117 | 23 | Harris, William | 1948 | ||||||||||
3117 | 24 | Harvard University: Fogg Museum of Art | 1941 | ||||||||||
3117 | 25 | Hayes, Helen | undated | ||||||||||
3117 | 26 | Heliker, John | 1948 | ||||||||||
3117 | 27 | Helion, Jean | 1943 | ||||||||||
3117 | 28 | Hemingway, Ernest | 1954 | ||||||||||
3117 | 29 | Hepburn, Audrey | 1951, 1954 | ||||||||||
3117 | 30 | Herter, Christian A. | 1959 | ||||||||||
3117 | 31 | Hirshfeld, Albert | 1961 | ||||||||||
3117 | 32 | Hofmann, Josef | undated | ||||||||||
3117 | 33 | Hogarth, William | undated | ||||||||||
3117 | 34 | Home Care and Improvements | undated, 1948-1966 | ||||||||||
3117 | 35 | Hoover, J. Edgar | undated | ||||||||||
3117 | 36 | Horoscope | 1942 | ||||||||||
3117 | 37 | Houdon, Jean-Antoine | undated | ||||||||||
3117 | 38 | Hudson Valley: Art in the Park | 1959 | ||||||||||
5044 | 15 | Huffong, F. | 1920 | ||||||||||
3117 | 39 | Ingersoll, R. Sturgis | undated | ||||||||||
3117 | 40 | Inge, William R., Rev. | 1954 | ||||||||||
3117 | 41 | Interior Design and Decorating | 1945-1952 | ||||||||||
3117 | 42 | International Club, Harlem Branch YWCA | 1951 | ||||||||||
3117 | 43 | International Council of Museums (ICOM) | 1950 | ||||||||||
3117 | 44 | Investments and Finance | 1951-1967 | ||||||||||
3117 | 45 | Jacoby, Coleman | 1943 | ||||||||||
3117 | 46 | J. C. Morgenthau and Company | 1939 | ||||||||||
3117 | 47 | John Simon Guggenheim Memorial Foundation | 1948 | ||||||||||
3117 | 48 | Johnson, Lyndon B. | 1965 | ||||||||||
3117 | 49 | Journal of Aesthetics and Art Criticism | 1951-1952 | ||||||||||
3117 | 50 | Kandinsky, Vasily | undated, 1951-1952 | ||||||||||
3117 | 51 | Karajan, Herbert von | undated | ||||||||||
3117 | 52 | Kasenkina, Oksana | 1948 | ||||||||||
3117 | 53 | Kassel: Documenta II | undated | ||||||||||
3117 | 54 | Katims, Milton | 1949 | ||||||||||
3117 | 55 | Kennedy, John F. | undated, 1963 | ||||||||||
3117 | 56 | Kennedy, Sybil | 1949 | ||||||||||
3117 | 57 | Khan, Ali | 1954 | ||||||||||
3117 | 58 | Khrushchev, Nikita | 1961 | ||||||||||
3118 | 1 | Kline, Franz | 1962 | ||||||||||
3118 | 2 | Knaths, Karl | 1946 | ||||||||||
3118 | 3 | Knaust, Herman | 1952 | ||||||||||
5044 | 16 | Kollwitz, Käthe | undated, 1926 | ||||||||||
3118 | 4 | Krupp, Vera | 1965 | ||||||||||
3118 | 5 | Lafitte, Pierre | 1955 | ||||||||||
3118 | 6 | Le Corbusier | undated | ||||||||||
3118 | 7 | Lewisohn, Sam A. | 1945 | ||||||||||
3118 | 8 | Longshore Club | undated | ||||||||||
3118 | 9 | Los Angeles County Museum | undated | ||||||||||
3118 | 10 | Lubeck Church Frescoes Forged | 1954 | ||||||||||
3118 | 11 | Ludlow, Elizabeth Morrison | undated | ||||||||||
3118 | 12 | Lustig, Alvin | 1955 | ||||||||||
3118 | 13 | Maazel, Lorin | undated | ||||||||||
3118 | 14 | MacArthur, Douglas, General | undated | ||||||||||
3118 | 15 | Macke, Auguste | 1952 | ||||||||||
3118 | 16 | Manns, Heinrich | 1950 | ||||||||||
3118 | 17 | Matisse, Henri | 1948 | ||||||||||
3118 | 18 | Matta, Roberto | 1944 | ||||||||||
3118 | 19 | Maugham, W. Somerset | 1949 | ||||||||||
3118 | 20 | Maxwell, Elsa | 1958 | ||||||||||
3118 | 21 | McGuire, William M., Captain | 1965 | ||||||||||
3118 | 22 | McKinley, Hazel Guggenheim | 1946, 1949 | ||||||||||
3118 | 23-24 | Medicine and Science (2 folders) | undated, 1942-1964 | ||||||||||
3118 | 25 | Mellon, Matthew Taylor | undated | ||||||||||
5044 | 17 | Merrick School | undated | ||||||||||
3118 | 26 | Metropolitan Museum of Art | undated, 1939, 1954-1956 | ||||||||||
3118 | 27 | Metropolitan Opera House | 1930 | ||||||||||
3118 | 28 | Milwaukee Art Institute | 1956 | ||||||||||
3118 | 29 | Miró, Joan | undated, 1958 | ||||||||||
3118 | 30 | Modigliani, Amedeo | undated | ||||||||||
3118 | 31 | Mondrian, Piet | 1957 | ||||||||||
3118 | 32 | Moore, Henry | 1959 | ||||||||||
3118 | 33 | Morgan, J.P. | undated | ||||||||||
3118 | 34 | Morris, George L.K. | 1947 | ||||||||||
3118 | 35 | Morris, Suzy | 1948 | ||||||||||
3118 | 36 | Mountains | undated, 1937-1963 | ||||||||||
3118 | 37 | Müller, Erwin, Dr. | undated | ||||||||||
3118 | 38 | Museum Council of New York | 1948-1954 | ||||||||||
3118 | 39 | Museum News | 1953-1955 | ||||||||||
3118 | 40 | Museum of Modern Art: Trustee List | 1952 | ||||||||||
3118 | 41 | Museum of Non-Objective Art | 1939-1952 | ||||||||||
3119 | 1 | Music, Theater, Dance | 1936-1965 | ||||||||||
3119 | 2 | Myers, Bernard | 1952 | ||||||||||
3119 | 3 | Naef, Hans | 1948 | ||||||||||
3119 | 4 | Nägler, Gertrud | undated | ||||||||||
3119 | 5 | "Naïve" Art | 1961 | ||||||||||
3119 | 6 | National Academy School of Fine Arts | 1951 | ||||||||||
3119 | 7 | National Amateur Painters Competition | 1950 | ||||||||||
3119 | 8 | National Audubon Society | 1941 | ||||||||||
3119 | 9 | National Broadcasting Company (NBC) | 1940 | ||||||||||
3119 | 10 | National Concert and Artist Corporation | undated | ||||||||||
3119 | 11 | Nazi-Banned Art Exhibitions | 1939, 1957 | ||||||||||
3119 | 12 | Nazi Germany and World War II | 1937-1947 | ||||||||||
3119 | 13 | Nehru, Jawaharlal | 1955 | ||||||||||
3119 | 14 | Nemirovitch-Dantchenko, Vladimir | 1936 | ||||||||||
3119 | 15 | Nemitz, Fritz | undated | ||||||||||
3119 | 16 | Neutra, Richard | 1949 | ||||||||||
3119 | 17 | New York Adult Education Council | 1946, 1948 | ||||||||||
3119 | 18 | New York City | 1927-1966 | ||||||||||
3119 | 19 | New York Visitor | 1944 | ||||||||||
3119 | 20 | New York World's Fair | 1939 | ||||||||||
3119 | 21 | Nicholson, Ben | 1956-1958 | ||||||||||
3119 | 22 | Nierendorf Galleries | 1944 | ||||||||||
3119 | 23 | Nitz, William H. | 1943 | ||||||||||
3119 | 24 | Noack, Hermann | 1957 | ||||||||||
3119 | 25 | Noguchi, Isamu | undated | ||||||||||
3119 | 26 | Non-Objective Paintings | 1951 | ||||||||||
3119 | 27 | Nostitz, Helen | undated | ||||||||||
3119 | 28 | Offner, Richard | 1965 | ||||||||||
3119 | 29 | Ogunquit Art Center | 1939 | ||||||||||
3119 | 30 | Olivier, Laurence | 1948 | ||||||||||
3119 | 31 | Onassis, Aristotle | undated | ||||||||||
3119 | 32 | Opportunity No. 49: "Old" Angus | 1941 | ||||||||||
3119 | 33 | Origins of Art | undated, 1949-1956 | ||||||||||
5044 | 18 | Orozco, J. C. | undated | ||||||||||
3119 | 34 | Paderewski, Ignace Jan | undated | ||||||||||
3119 | 35 | Paris | 1938 | ||||||||||
3119 | 36 | Paris World's Fair | 1937 | ||||||||||
3119 | 37 | Pasadena Art Institute | undated | ||||||||||
3119 | 38 | Pasternak, Boris | 1960 | ||||||||||
3119 | 39 | Pellegrini, Aldo | 1953 | ||||||||||
3119 | 40 | Peron, Juan | undated, 1956 | ||||||||||
3119 | 41 | Perrine, Van Dearing: Painting with Mobile Light | 1938 | ||||||||||
3119 | 42 | Petzet, Wolfgang | undated | ||||||||||
3119 | 43 | Pfeiffer, Fritz | 1940 | ||||||||||
3119 | 44 | Politics | 1939-1965 | ||||||||||
3119 | 45 | Politics Influencing Art | undated, 1949-1952 | ||||||||||
3119 | 46 | Powell, Wesley | undated | ||||||||||
3119 | 47 | Prado Collection | undated | ||||||||||
5044 | 19 | Project M.I.I. | undated | ||||||||||
3119 | 48 | Providence Museum of Art | 1949 | ||||||||||
3119 | 49 | Provincetown Art Association | 1948 | ||||||||||
3119 | 50 | Queens College | 1944 | ||||||||||
Rebay, Hilla | |||||||||||||
3119, 3120, 5044 | 51, 1-3, 20 | General (5 folders) | undated, 1931-1963 | ||||||||||
3120 | 4 | Family | 1952 | ||||||||||
3120 | 5 | Interviews | 1946-1950 | ||||||||||
3120 | 6 | Lawsuits | 1943-1963 | ||||||||||
3120 | 7 | Resignation | 1952 | ||||||||||
3120 | 8 | Refregier, Anton | 1949 | ||||||||||
3120 | 9 | Reichsmuseum-Amsterdam | undated | ||||||||||
3120 | 10 | Religion | undated, 1943-1961 | ||||||||||
3120 | 11 | Rembrandt | undated | ||||||||||
3120 | 12 | Renoir, Pierre Auguste | 1949 | ||||||||||
3120 | 13 | Richter Archive of Illustrations on Art | 1943 | ||||||||||
3120 | 14 | Riverside Museum: American Abstract Painters Exhibition | 1943 | ||||||||||
5044 | 21 | Rockefeller, John D. | 1941 | ||||||||||
3120 | 15 | Rockefeller, Nelson (and Wife) | undated, 1941 | ||||||||||
3120 | 16 | Ronald, William | 1956 | ||||||||||
3120 | 17 | Roosevelt, Elliot | 1965 | ||||||||||
3120 | 18 | Roosevelt, Franklin Delano | 1949 | ||||||||||
3120 | 19 | Rosenberg, James N. | 1949 | ||||||||||
3120 | 20 | Rosse, Herman | 1949 | ||||||||||
3120 | 21 | Roth, Eugene | undated | ||||||||||
3120 | 22 | Rouault, Georges | 1948, 1962 | ||||||||||
3120 | 23 | Rousseau, Henri | undated, 1954 | ||||||||||
3120 | 24 | Rousseau, Theodore Jr. | 1955 | ||||||||||
5044 | 25 | Royal Commission on National Development in the Arts, Letters and Sciences | 1949-1951 | ||||||||||
3120, 3121, 3122, 3123, 5044 | 26-28, 1-7, 1-3, 1-5, 23-24 | Royalty (20 folders) | undated, 1947-1967 | ||||||||||
3123 | 6 | Rusk, Dean | 1966 | ||||||||||
3123 | 7 | Russell Sage Foundation | undated | ||||||||||
3123 | 8 | Salemme, Attilio | undated | ||||||||||
3123 | 9 | Samuels, Robert | undated | ||||||||||
San Francisco | |||||||||||||
5044 | 25 | General | 1945 | ||||||||||
3123 | 10 | San Francisco Museum | undated | ||||||||||
3123 | 11 | Santa Fe Museum | 1948 | ||||||||||
3123 | 12 | Sao Paulo Museum of Modern Art: International Exhibition | 1953 | ||||||||||
3123 | 13 | Schlicter, Rudolf | 1949 | ||||||||||
3123 | 14 | School Art League | 1942 | ||||||||||
3123 | 15 | School of Paris | 1932 | ||||||||||
3123 | 16 | Schultz, Anton | 1961 | ||||||||||
3123 | 17 | Schweitzer, Dr. Albert | undated, 1946-1956 | ||||||||||
3123 | 18 | Sekula, Sonia | 1948 | ||||||||||
3123 | 19 | Seurat, Georges | 1949 | ||||||||||
3123 | 20 | Sewell, Sumner | 1946 | ||||||||||
3123 | 21 | Shaw, George Bernard | undated | ||||||||||
3123 | 22 | Silvercruys, Suzanne | 1949 | ||||||||||
3123 | 23 | Sinatra, Frank | undated | ||||||||||
3124 | 1 | Sizer, Theodore | 1948 | ||||||||||
3124 | 2 | Slevogt, Max and Emil Orlik | 1944 | ||||||||||
3124 | 3 | Sobiloff, Hy J. | undated | ||||||||||
3124 | 4 | Social Ills | undated, 1951 | ||||||||||
3124 | 5 | Solomon R. Guggenheim Foundation | 1949 | ||||||||||
Solomon R. Guggenheim Museum | |||||||||||||
3124 | 6 | General | 1953 | ||||||||||
3124 | 7-15 | Frank Lloyd Wright Building (9 folders) | 1944-1961 | ||||||||||
3125 | 1 | Spivak, Max | 1948 | ||||||||||
3125 | 2 | Sports | undated, 1954-1959 | ||||||||||
3125 | 3 | Staël, Nicolas de | 1951 | ||||||||||
3125 | 4 | Stamps | 1951-1966 | ||||||||||
3125 | 5 | Stanley, Louis T. | 1950 | ||||||||||
3125 | 6 | Steinkraus, Billy | 1952 | ||||||||||
3125 | 7 | Stettheimer, Florine | undated | ||||||||||
3125 | 8 | Stieglitz, Alfred and Georgia O'Keefe | undated | ||||||||||
3125 | 9 | Sutherland, Graham | 1962 | ||||||||||
3125 | 10 | Sweeney, James Johnson | 1953, 1959 | ||||||||||
3125 | 11 | Table Talk | 1943 | ||||||||||
3125 | 12 | Tam, Reuben | 1949 | ||||||||||
3125 | 13 | Taylor, Elizabeth | 1962 | ||||||||||
3125 | 14 | Taylor, Robert | undated | ||||||||||
3125 | 15 | Think | 1937 | ||||||||||
3125 | 16 | Thomas, Dylan | 1957 | ||||||||||
3125 | 17 | Tierney, Gene | 1949 | ||||||||||
3125 | 18 | Tolstoy Foundation | 1940 | ||||||||||
3125 | 19 | Toscanini, Arturo | undated | ||||||||||
3125 | 20 | Toulouse-Lautrec, Henri de | undated | ||||||||||
3125 | 21 | Town Hall Program | 1944 | ||||||||||
3125 | 22 | Trapp Family | 1947, 1951 | ||||||||||
3125 | 23-24 | Travel (2 folders) | undated, 1951-1965 | ||||||||||
5044 | 26 | Treasury Department: Census of Property in Foreign Countires (blank forms) | 1943 | ||||||||||
3125 | 25 | Trökes, Heinz | 1953 | ||||||||||
3125 | 26 | Truman, Harry S. | undated, 1948 | ||||||||||
3125 | 27 | Uhlman, Hans | 1949 | ||||||||||
3125 | 28 | University of Illinois | 1949 | ||||||||||
3125 | 29 | Urvater, J. Bertold and Gaetane | 1958 | ||||||||||
3125 | 30 | Vanderbilt, Cornelius | undated | ||||||||||
3125 | 31 | Van Doren, Charles | 1959 | ||||||||||
3125 | 32 | Valentin, Karl | 1948 | ||||||||||
3125 | 33 | Vilmorin, Louise de | 1954 | ||||||||||
3125 | 34 | Virginia Museum of Fine Arts | 1953 | ||||||||||
3125 | 35 | Walkowitz, Abraham | 1927(?) | ||||||||||
3125 | 36 | Washburn, Gordon Bailey | undated | ||||||||||
3125 | 37 | Watteau, Jean Antoine | undated | ||||||||||
3125 | 38 | Wellman, Constance | undated | ||||||||||
5044 | 37 | Westport Audubon Society | 1952 | ||||||||||
3125 | 39 | Westport Connecticut Institute of Commercial Art | 1952 | ||||||||||
3125 | 40 | Whitney Museum | 1949-1956 | ||||||||||
3125 | 41 | Wiedman, Charles | 1948 | ||||||||||
3125 | 42 | Winchester College Chapel: Stained Glass Restoration | 1950 | ||||||||||
3125 | 43 | Wingler, Hans Maria | 1948 | ||||||||||
3125 | 44 | Worcester Art Museum | 1951 | ||||||||||
3125 | 45 | Works Progress Administration Art Tours | undated | ||||||||||
3125 | 46 | World Religious Council | 1947 | ||||||||||
3125, 3126 | 47, 1 | Wright, Frank Lloyd (2 folders) | 1943-1959 | ||||||||||
3126 | 2 | Zionist Organization of America | 1944 |
